Tales and Novels — Volume 10: HelenEdgeworth, Maria
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Tales and Novels — Volume 10: Helen
Edgeworth, Maria
England -- Social life and customs -- 19th century -- Fiction; Women -- England -- Fiction
But he was mortified to find that it did not produce the expected
effect, and, after having done the respectful one morning, as he
fancied, in the happiest manner, he was vexed to perceive that he not
only could not raise Helen’s eyes from her work, but that even Lady
Davenant did not attend to him: and that, as he was rounding one of his
best periods, her looks were directed to the other side of the room,
where Beauclerc sat apart; and presently she called to him, and begged
to know what it was he was reading. She said she quite envied him the
power he possessed of being rapt into future times or past, completely
at his author’s bidding, to be transported how and where he pleased.
Beauclerc brought the book to her, and put it into her hand. As she took
it she said, “As we advance in life, it becomes more and more difficult
to find in any book the sort of enchanting, entrancing interest which we
enjoyed when life, and, books, and we ourselves were new. It were vain
to try and settle whether the fault is most in modern books, or in our
ancient selves; probably not in either: the fact is, that not only does
the imagination cool and weaken as we grow older, but we become, as we
live on in this world, too much engrossed by the real business and cares
of life, to have feeling or time for factitious, imaginary interests.
But why do I say factitious? while they last, the imaginative interests
are as real as any others.”
“Thank you,” said Beauclerc, “for doing justice to poor imagination,
whose pleasures are surely, after all, the highest, the most real, that
we have, unwarrantably as they have been decried both by metaphysicians
and physicians.”
The book which had so fixed Beauclerc’s attention, was Segur’s History
of Napoleon’s Russian Campaign. He was at the page where the burning of
Moscow is described--the picture of Buonaparte’s despair, when he met
resolution greater than his own, when he felt himself vanquished by
the human mind, by patriotism, by virtue--virtue in which he could not
believe, the existence of which, with all his imagination, he could not
conceive: the power which his indomitable will could not conquer.
Beauclerc pointed to the account of that famous inscription on the
iron gate of a church which the French found still standing, the words
written by Rostopchin after the burning of his “delightful home.”
“_Frenchmen, I have been eight years in embellishing this residence; I
have lived in it happily in the bosom of my family. The inhabitants of
this estate (amounting to seventeen hundred and twenty) have quitted
it at your approach; and I have, with my own hands, set fire to my own
house, to prevent it from being polluted by your presence._”
“See what one, even one, magnanimous individual can do for his country,”
exclaimed Beauclerc. “How little did this sacrifice cost him! Sacrifice
do I say? it was a pride--a pleasure.”
Public-domain text, read in full here on John Shaqi.
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