Tales and Novels — Volume 10: HelenEdgeworth, Maria
General
Tales and Novels — Volume 10: Helen
Edgeworth, Maria
England -- Social life and customs -- 19th century -- Fiction; Women -- England -- Fiction
Some days afterwards Lady Katrine took up a book, in which Helen’s name
was written in Beauclerc’s hand. “_Gage d’amitié?_” said her ladyship;
and she walked up and down the room, humming the air of an old French
song; interrupting herself now and then to ask her sister if she could
recollect the words. “The _refrain_, if I remember right, is something
like this--
Sous le nom d’amitié--sous le nom d’amitié,
La moitié du monde trompe l’autre moitié,
Sous le nom, sous le nom, sous le nom d’amitié.
And it ends with
Sous le nom d’amitié, Damon, je vous adore,
Sous le nom, sous le nom d’amitié.
“Miss Stanley, do you know that song?” concluded her malicious ladyship.
No--Miss Stanley had never heard it before; but the marked emphasis with
which Lady Katrine sung and looked, made Helen clear that she meant to
apply the words tauntingly to her and Beauclerc,--but which of them her
ladyship suspected was cheating, or cheated--“_sous le nom d’amitié_,”
she did not know. All was confusion in her mind. After a moment’s cooler
reflection, however, she was certain it could not be Beauclerc who was
to blame--it must be herself, and she now very much wished that every
body, and Lady Katrine in particular, should know that Mr. Beauclerc was
engaged--almost married; if this were but known, it would put an end to
all such imputations.
The first time she could speak to Cecilia on the subject, she begged to
know how soon Mr. Beauclerc’s engagement would be declared. Lady
Cecilia slightly answered she could not tell--and when Helen pressed the
question she asked,--
“Why are you so anxious, Helen?”
Helen honestly told her, and Lady Cecilia only laughed at her for
minding what Lady Katrine said,--“When you know yourself, Helen, how it
is, what can it signify what mistakes others may make?”
But Helen grew more and more uneasy, for she was not clear that she did
know how it was, with herself at least. Her conscience faltered, and she
was not sure whether she was alarmed with or without reason. She began
to compare feelings that she had read of, and feelings that she had seen
in others, and feelings that were new to herself, and in this maze and
mist nothing was distinct--much was magnified--all alarming.
Public-domain text, read in full here on John Shaqi.
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