no right to complain; but if Lord Davenant’s honour is to be--” She paused; her thoughts seeming too painful for utterance. She completed the arrangement of the papers, and, as she pressed down the lid of her writing-box, and heard the closing sound of the lock, she said,--“Now I may sleep in peace.” She put out the lamp, and went to her bed-room, carrying with her two or three books which she intended to read after she should be in bed; for, though she talked of sleeping, it was plain she thought she should not. Helen prevailed upon her to let her remain with her, and read to her. She opened first a volume of Shakspeare, in which was Lady Davenant’s mark. “Yes,” said she, “read that speech of Wolsey’s; read that whole scene, the finest picture of ambition ever drawn.” And, after she had heard the scene, she observed that there is no proof more certain of the truth of poetic description, than its recurring to us at the time we strongly feel. “Those who tell us,” continued she, “that it is unnatural to recollect poetry or eloquence at times of powerful emotion, are much mistaken; they have not strong feelings or strong imaginations. I can affirm from my own experience, that it is perfectly natural.” Lady Davenant rapidly mentioned some instances of this sort which she recollected, but seeing the anxiety of Helen’s look, she added, “You are afraid that I am feverish; you wish me to rest; then, go on reading to me.” Helen read on, till Lady Davenant declared she would not let her sit up any longer. “Only, before you go, my dear child, look here at what I have been looking at while you have been reading.” She made Helen place herself so as to see exactly in the same direction and light in which she was looking, and she pointed out to her, in the lining of the bed, a place where, from the falling of the folds and the crinkles in the material, a figure with the head, head-dress, and perfect profile of an old woman with a turned-up chin, appeared. At first Helen could not see it; but at last she caught it, and was struck with it. “The same sort of curious effect of chance resemblance and coincidence which painters, Leonardo da Vinci in particular, have observed in the moss and stains on old stones,” observed Lady Davenant. “But it struck me to-night, Helen, perhaps because I am a little feverish--it struck me in a new point of view--moral, not picturesque. If such be the effects of chance, or of coincidence, how cautious we should be in deciding from appearances, or pronouncing from circumstantial evidence upon the guilt of evil design in any human creature.” “You mean this to apply to me about Carlos?” said Helen.