This was well understood by the old painters. In their pictures of Mary, the virgin mother, the beauty which melts and subdues the gazer is that of the soul and the affections, uniting the awe and mystery of that mother's miraculous allotment with the irrepressible love, the unutterable tenderness, of young maternity,--Heaven's crowning miracle with Nature's holiest and sweetest instinct. And their pale Magdalens, holy with the look of sins forgiven,--how the divine beauty of their penitence sinks into the heart! Do we not feel that the only real deformity is sin, and that goodness evermore hallows and sanctifies its dwelling-place? When the soul is at rest, when the passions and desires are all attuned to the divine harmony,-- "Spirits moving musically To a lute's well-ordered law," The Haunted Palace, by Edgar A. Poe. do we not read the placid significance thereof in the human countenance? "I have seen," said Charles Lamb, "faces upon which the dove of peace sat brooding." In that simple and beautiful record of a holy life, the Journal of John Woolman, there is a passage of which I have been more than once reminded in my intercourse with my fellow-beings: "Some glances of real beauty may be seen in their faces who dwell in true meekness. There is a harmony in the sound of that voice to which divine love gives utterance." Quite the ugliest face I ever saw was that of a woman whom the world calls beautiful. Through its "silver veil" the evil and ungentle passions looked out hideous and hateful. On the other hand, there are faces which the multitude at the first glance pronounce homely, unattractive, and such as "Nature fashions by the gross," which I always recognize with a warm heart-thrill; not for the world would I have one feature changed; they please me as they are; they are hallowed by kind memories; they are beautiful through their associations; nor are they any the less welcome that with my admiration of them "the stranger intermeddleth not." THE WORLD'S END. "Our Father Time is weak and gray, Awaiting for the better day; See how idiot-like he stands, Fumbling his old palsied hands!" SHELLEY's Masque of Anarchy. "STAGE ready, gentlemen! Stage for campground, Derry! Second Advent camp-meeting!" Accustomed as I begin to feel to the ordinary sights and sounds of this busy city, I was, I confess, somewhat startled by this business-like annunciation from the driver of a stage, who stood beside his horses swinging his whip with some degree of impatience: "Seventy-five cents to the Second Advent camp-ground!" The stage was soon filled; the driver cracked his whip and went rattling down the street.