Tales and Sketches: Part 3 from Volume V of The Works of John Greenleaf WhittierWhittier, John Greenleaf
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Tales and Sketches: Part 3 from Volume V of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
American literature
Without intending any disparagement of my peaceable ancestry for many
generations, I have still strong suspicions that somewhat of the old
Norman blood, something of the grins Berserker spirit, has been
bequeathed to me. How else can I account for the intense childish
eagerness with which I listened to the stories of old campaigners who
sometimes fought their battles over again in my hearing? Why did I,
in my young fancy, go up with Jonathan, the son of Saul, to smite the
garrisoned Philistines of Michmash, or with the fierce son of Nun
against the cities of Canaan? Why was Mr. Greatheart, in Pilgrim's
Progress, my favorite character? What gave such fascination to the
narrative of the grand Homeric encounter between Christian and Apollyon
in the valley? Why did I follow Ossian over Morven's battle-fields,
exulting in the vulture-screams of the blind scald over his fallen
enemies? Still later, why did the newspapers furnish me with subjects
for hero-worship in the half-demented Sir Gregor McGregor, and Ypsilanti
at the head of his knavish Greeks? I can account for it only in the
supposition that the mischief was inhered,--an heirloom from the old
sea-kings of the ninth century.
Education and reflection have, indeed, since wrought a change in my
feelings. The trumpet of the Cid, or Ziska's drum even, could not now
waken that old martial spirit. The bull-dog ferocity of a half-
intoxicated Anglo-Saxon, pushing his blind way against the converging
cannon-fire from the shattered walls of Ciudad Rodrigo, commends itself
neither to my reason nor my fancy. I now regard the accounts of the
bloody passage of the Bridge of Lodi, and of French cuirassiers madly
transfixing themselves upon the bayonets of Wellington's squares, with
very much the same feeling of horror and loathing which is excited by a
detail of the exploits of an Indian Thug, or those of a mad Malay
running a-muck, creese in hand, through the streets of Pulo Penang.
Your Waterloo, and battles of the Nile and Baltic,--what are they, in
sober fact, but gladiatorial murder-games on a great scale,--human
imitations of bull-fights, at which Satan sits as grand alguazil and
master of ceremonies? It is only when a great thought incarnates itself
in action, desperately striving to find utterance even in sabre-clash
and gun-fire, or when Truth and Freedom, in their mistaken zeal and
distrustful of their own powers, put on battle-harness, that I can feel
any sympathy with merely physical daring. The brawny butcher-work of
men whose wits, like those of Ajax, lie in their sinews, and who are
"yoked like draught-oxen and made to plough up the wars," is no
realization of my ideal of true courage.
Public-domain text, read in full here on John Shaqi.
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