Tales and Sketches: Part 3 from Volume V of The Works of John Greenleaf WhittierWhittier, John Greenleaf
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Tales and Sketches: Part 3 from Volume V of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
American literature
Half fatigued with my walk, I threw myself down upon the rocky slope
of the bank, where the panorama of earth, sky, and water lay clear and
distinct about me. Far above, silent and dim as a picture, was the
city, with its huge mill-masonry, confused chimney-tops, and church-
spires; nearer rose the height of Belvidere, with its deserted burial-
place and neglected gravestones sharply defined on its bleak, bare
summit against the sky; before me the river went dashing down its rugged
channel, sending up its everlasting murmur; above me the birch-tree hung
its tassels; and the last wild flowers of autumn profusely fringed the
rocky rim of the water. Right opposite, the Dracut woods stretched
upwards from the shore, beautiful with the hues of frost, glowing with
tints richer and deeper than those which Claude or Poussin mingled, as
if the rainbows of a summer shower had fallen among them. At a little
distance to the right a group of cattle stood mid-leg deep in the river;
and a troop of children, bright-eyed and mirthful, were casting pebbles
at them from a projecting shelf of rock. Over all a warm but softened
sunshine melted down from a slumberous autumnal sky.
My revery was disagreeably broken. A low, grunting sound, half bestial,
half human, attracted my attention. I was not alone. Close beside me,
half hidden by a tuft of bushes, lay a human being, stretched out at
full length, with his face literally rooted into the gravel. A little
boy, five or six years of age, clean and healthful, with his fair brown
locks and blue eyes, stood on the bank above, gazing down upon him with
an expression of childhood's simple and unaffected pity.
"What ails you?" asked the boy at length. "What makes you lie there?"
The prostrate groveller struggled half-way up, exhibiting the bloated
and filthy countenance of a drunkard. He made two or three efforts to
get upon his feet, lost his balance, and tumbled forward upon his face.
"What are you doing there?" inquired the boy.
"I'm taking comfort," he muttered, with his mouth in the dirt.
Taking his comfort! There he lay,--squalid and loathsome under the
bright heaven,--an imbruted man. The holy harmonies of Nature, the
sounds of gushing waters, the rustle of the leaves above him, the wild
flowers, the frost-bloom of the woods,--what were they to him?
Insensible, deaf, and blind, in the stupor of a living death, he lay
there, literally realizing that most bitterly significant Eastern
malediction, "May you eat dirt!"
Public-domain text, read in full here on John Shaqi.
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