Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
“Nay, he is either a prince or a baker; either Corradino himself, or
Ricciardo, the son of Messer Tommaso de’ Manelli; he that lived o’th’
Arno, and baked for all that Sesto, when Count Guido de Giudi was
_Vicario_. By this token, that Messer Tommaso went to Milan with Ubaldo
de’ Gargalandi, and Ricciardo, who went with his father, must now be
sixteen. He had the fame of kneading with as light a hand as his father,
but he liked better to follow arms with the Gargalandi. He was a fair,
likely youth, they said; and so, to say the truth, was our youngster of
this morning. But Monna Lissa will have it that it must be Corradino
himself.”
Cincolo listened as if the gossip of two old women could unravel his
riddle. He even began to doubt whether the last conjecture, extravagant
as it was, had not hit the truth. Every circumstance forbade such an
idea; but he thought of the youth and exceeding beauty of the stranger,
and he began to doubt. There was none among the Elisei who answered to
his appearance. The flower of their youth had fallen at Monte Aperto;
the eldest of the new generation was but ten; the other males of that
house were of a mature age. Gegia continued to talk of the anger that
Beppe de’ Bosticchi evinced at being accused of the murder of Arrigo de’
Elisei. “If he had done that deed,” she cried, “never more should he
have stood on my hearth; but he swore his innocence; and truly, poor
man, it would be a sin not to believe him.” Why, if the stranger were
not an Elisei, should he have shown such horror on viewing the supposed
murderer of the head of that family? Cincolo turned from the fire; he
examined whether his knife hung safely in his girdle, and he exchanged
his sandal-like shoes for stronger boots of common undressed fur. This
last act attracted the attentions of Gegia.
“What are you about, good man?” she cried. “This is no hour to change
your dress, but to come to bed. To-night you will not speak; but
to-morrow I hope to get it all out from you. What are you about?”
“I am about to leave you, my dear Gegia; and Heaven bless and take care
of you! I am going to Pisa.”
Gegia uttered a shriek, and was about to remonstrate with great
volubility, while the tears rolled down her aged cheeks. Tears also
filled the eyes of Cincolo, as he said, “I do not go for the cause you
suspect. I do not go into the army of Corradino, though my heart will be
with it. I go but to carry a letter, and will return without delay.”
“You will never return,” cried the old woman: “the Commune will never
let you enter the gates of this town again, if you set foot in that
traitorous Pisa. But you shall not go; I will raise the neighbours; I
will declare you mad”—
Public-domain text, read in full here on John Shaqi.
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