Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
Thus beset, methought it was the best way to tell the truth. I revealed
it as tenderly as I could, and spoke only of a _very long life_, not of
immortality—which representation, indeed, coincided best with my own
ideas. When I ended, I rose and said,—
“And now, my Bertha, will you denounce the lover of your youth?—You will
not, I know. But it is too hard, my poor wife, that you should suffer
from my ill-luck and the accursed arts of Cornelius. I will leave
you—you have wealth enough, and friends will return in my absence. I
will go; young as I seem, and strong as I am, I can work and gain my
bread among strangers, unsuspected and unknown. I loved you in youth;
God is my witness that I would not desert you in age, but that your
safety and happiness require it.”
I took my cap and moved towards the door; in a moment Bertha’s arms were
round my neck, and her lips were pressed to mine. “No, my husband, my
Winzy,” she said, “you shall not go alone—take me with you; we will
remove from this place, and, as you say, among strangers we shall be
unsuspected and safe. I am not so very old as quite to shame you, my
Winzy; and I daresay the charm will soon wear off, and, with the
blessing of God, you will become more elderly-looking, as is fitting;
you shall not leave me.”
I returned the good soul’s embrace heartily. “I will not, my Bertha; but
for your sake I had not thought of such a thing. I will be your true,
faithful husband while you are spared to me, and do my duty by you to
the last.”
The next day we prepared secretly for our emigration. We were obliged to
make great pecuniary sacrifices—it could not be helped. We realized a
sum sufficient, at least, to maintain us while Bertha lived; and,
without saying adieu to any one, quitted our native country to take
refuge in a remote part of western France.
It was a cruel thing to transport poor Bertha from her native village,
and the friends of her youth, to a new country, new language, new
customs. The strange secret of my destiny rendered this removal
immaterial to me; but I compassionated her deeply, and was glad to
perceive that she found compensation for her misfortunes in a variety of
little ridiculous circumstances. Away from all tell-tale chroniclers,
she sought to decrease the apparent disparity of our ages by a thousand
feminine arts—rouge, youthful dress, and assumed juvenility of manner. I
could not be angry. Did not I myself wear a mask? Why quarrel with hers,
because it was less successful? I grieved deeply when I remembered that
this was my Bertha, whom I had loved so fondly, and won with such
transport—the dark-eyed, dark-haired girl, with smiles of enchanting
archness and a step like a fawn—this mincing, simpering, jealous old
woman. I should have revered her grey locks and withered cheeks; but
thus!—It was my work, I knew; but I did not the less deplore this type
of human weakness.
Public-domain text, read in full here on John Shaqi.
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