Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
Far from this scene of turmoil and bloodshed, in her poor but quiet
chamber, in a remote and obscure part of the town, sat Flora, occupied
by her embroidery, musing, as she worked, on her brother’s project, and
anticipating his success. Hours passed, and Lorenzo did not return; the
day declined, and still he tarried. Flora’s busy fancy forged a thousand
causes for the delay. Her brother’s prowess had awaked the chilly zeal
of the partisans of their family;—he was doubtless feasting among them,
and the first stone was laid for the rebuilding of their house. At last,
a rush of steps upon the staircase, and a confused clamour of female
voices calling loudly for admittance, made her rise and open the
door;—in rushed several women—dismay was painted on their faces—their
words flowed in torrents—their eager gestures helped them to a meaning,
and, though not without difficulty, amidst the confusion, Flora heard of
the disaster and imprisonment of her brother—of the blood shed by his
hand, and the fatal issue that such a deed ensured. She grew pale as
marble. Her young heart was filled with speechless terror; she could
form no image of the thing she dreaded, but its indistinct idea was full
of fear. Lorenzo was in prison—Count Fabian had placed him there—he was
to die! Overwhelmed for a moment by such tidings, yet she rose above
their benumbing power, and without proffering a word, or listening to
the questions and remonstrances of the women, she rushed past them, down
the high staircase, into the street; and then with swift pace to where
the public prison was situated. She knew the spot she wished to reach,
but she had so seldom quitted her home that she soon got entangled among
the streets, and proceeded onwards at random. Breathless, at length, she
paused before the lofty portal of a large palace—no one was near—the
fast fading twilight of an Italian evening had deepened into absolute
darkness. At this moment the glare of flambeaux was thrown upon the
street, and a party of horsemen rode up; they were talking and laughing
gaily. She heard one addressed as Count Fabian: she involuntarily drew
back with instinctive hate; and then rushed forward and threw herself at
his horse’s feet, exclaiming, “Save my brother!” The young cavalier
reined up shortly his prancing steed, angrily reproving her for her
heedlessness, and, without deigning another word, entered the courtyard.
He had not, perhaps, heard her prayer;—he could not see the suppliant,
he spoke but in the impatience of the moment;—but the poor child, deeply
wounded by what had the appearance of a personal insult, turned proudly
from the door, repressing the bitter tears that filled her eyes. Still
she walked on; but night took from her every chance of finding her way
to the prison, and she resolved to return home, to engage one of the
women of the house, of which she occupied a part, to accompany her. But
even to find her way back became matter of difficulty; and she wandered
Public-domain text, read in full here on John Shaqi.
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