Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
Sometimes, while thus employed, she brought her work into the trellised
arbour of the garden, or, when it was too warm for the open air, she had
a favourite shady window, which looked down a deep ravine into a
majestic wood, whence the sound of falling water met her ears. One day,
while she employed her fingers upon the spirited likeness of a hound
which made a part of the hunting-piece she was working for the countess,
a sharp, wailing cry suddenly broke on her ear, followed by trampling of
horses and the hurried steps and loud vociferations of men. They entered
the villa on the opposite side from that which her window commanded;
but, the noise continuing, she rose to ask the reason, when Sandra burst
into the room, crying, “O Madonna! he is dead! he has been thrown from
his horse, and he will never speak more.” Flora for an instant could
only think of her brother. She rushed past the old woman, down into the
great hall, in which, lying on a rude litter of boughs, she beheld the
inanimate body of Count Fabian. He was surrounded by servitors and
peasants, who were all clasping their hands and tearing their hair as,
with frightful shrieks, they pressed round their lord, not one of them
endeavouring to restore him to life. Flora’s first impulse was to
retire; but, casting a second glance on the livid brow of the young
count, she saw his eyelids move, and the blood falling in quick drops
from his hair on the pavement. She exclaimed, “He is not dead—he bleeds!
hasten some of you for a leech!” And meanwhile she hurried to get some
water, sprinkled it on his face, and, dispersing the group that hung
over him and impeded the free air, the soft breeze playing on his
forehead revived him, and he gave manifest tokens of life; so that when
the physician arrived, he found that, though he was seriously and even
dangerously hurt, every hope might be entertained of his recovery.
Flora undertook the office of his nurse, and fulfilled its duties with
unwearied attention. She watched him by night and waited on him by day
with that spirit of Christian humility and benevolence which animates a
Sister of Charity as she tends the sick. For several days Fabian’s soul
seemed on the wing to quit its earthly abode; and the state of weakness
that followed his insensibility was scarcely less alarming. At length,
he recognised and acknowledged the care of Flora, but she alone
possessed any power to calm and guide him during the state of
irritability and fever that then ensued. Nothing except her presence
controlled his impatience; before her he was so lamb-like, that she
could scarcely have credited the accounts that others gave her of his
violence, but that, whenever she returned, after leaving him for any
time, she heard his voice far off in anger, and found him with flushed
cheeks and flashing eyes, all which demonstrations subsided into meek
acquiescence when she drew near.
Public-domain text, read in full here on John Shaqi.
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