Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
Lorenzo lived; and this led her to another plan. When she had received
her little cross from Milan, it was accompanied by a message that he
believed he had found a good friend in the archbishop of that place.
This prelate, therefore, would know whither Lorenzo had first bent his
steps, and to him she resolved to apply. Her scheme was easily formed.
She possessed herself of the garb of a pilgrim, and resolved on the day
following the completion of the fifth year to depart from Siena, and
bend her steps towards Lombardy, buoyed up by the hope that she should
gain some tidings of her brother.
Meanwhile Fabian had formed a similar resolve. He had learnt the fact
from Flora, of Lorenzo having first resorted to Milan, and he determined
to visit that city, and not to return without certain information. He
acquainted his mother with his plan, but begged her not to inform Flora,
that she might not be tortured by double doubt during his absence.
The anniversary of the fifth year was come, and with it the eve of these
several and separate journeys. Flora had retired to spend the day at the
villa before mentioned. She had chosen to retire thither for various
reasons. Her escape was more practicable thence than in the town; and
she was anxious to avoid seeing both Fabian and his mother, now that she
was on the point of inflicting severe pain on them. She spent the day at
the villa and in its gardens, musing on her plans, regretting the quiet
of her past life—saddened on Fabian’s account—grieving bitterly for
Lorenzo. She was not alone, for she had been obliged to confide in one
of her former companions, and to obtain her assistance. Poor little
Angeline was dreadfully frightened with the trust reposed in her, but
did not dare expostulate with or betray her friend; and she continued
near her during this last day, by turns trying to console and weeping
with her. Towards evening they wandered together into the wood
contiguous to the villa. Flora had taken her harp with her, but her
trembling fingers refused to strike its chords; she left it, she left
her companion, and strayed on alone to take leave of a spot consecrated
by many a former visit. Here the umbrageous trees gathered about her,
and shaded her with their thick and drooping foliage;—a torrent dashed
down from neighbouring rock, and fell from a height into a rustic basin,
hollowed to receive it; then, overflowing the margin at one spot, it
continued falling over successive declivities, till it reached the
bottom of a little ravine, when it stole on in a placid and silent
course. This had ever been a favourite resort of Flora. The twilight of
the wood and the perpetual flow, the thunder, the hurry, and the turmoil
of the waters, the varied sameness of the eternal elements, accorded
with the melancholy of her ideas, and the endless succession of her
reveries. She came to it now; she gazed on the limpid cascade—for the
last time; a soft sadness glistened in her eyes, and her attitude
Public-domain text, read in full here on John Shaqi.
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