Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
It were wise in me to obey thy lesson, sweet songstress, thought the
traveller; and revolving in his mind the singularity of the serenade, he
continued to gaze upon the trees below. There was no rustling amid their
branches, no sound which told a human being was concealed beneath their
foliage; nothing was heard beyond the almost imperceptible breathings of
the evening air. Did such things exist anywhere but in the imagination
of the poet? He could almost have believed that the spirit of that
divine scene had assumed a human voice and human words to soothe his
melancholy, so floating and airy had been the strain, so deep the
silence that succeeded it. One moment more, and there arose from the
same spot cries for help uttered in Italian, and shrieks of distress so
piercing, they made the traveller fly with the speed of lightning
through the great hall, down the staircase into the garden. The first
object that met his eyes was the figure of a girl about sixteen, her one
arm tightly embracing the stem of a tree, her other angrily repelling a
young man who was endeavouring to drag her away.
“I will not go with you—I love you no longer, Giorgio—and go with you, I
will not,” shrieked the girl, in tones of mingled violence and fear.
“You must—you shall,” retorted her aggressor in a voice of thunder.
“I have found you again, and I won’t be duped by your fooleries,
Marietta.—And who are you, and who begged you to interfere?” added he,
turning fiercely upon the traveller, whose strong grasp had torn him
from Marietta.
“An officer, as it should seem by your dress;—be pleased to know that I
am also an officer, and risk my displeasure no further.”
“No officer would ill-treat a defenceless girl,” the Pole replied with
quiet contempt.
At this taunt Giorgio quivered with rage. His features, handsome and
regular as those of Italians generally are, became quite distorted. His
hands with convulsive movements sought about his breast for the dagger
that was concealed there, his dark flashing eyes fixed intently at the
same time upon his adversary, as if he hoped the fiendish spirit that
burned within them might previously annihilate him.
“Be on your guard—he is a perfect wretch,” cried Marietta, rushing
towards her protector.
The arrival of several servants from the inn dispelled all idea of
present danger: they dragged off Giorgio, telling him that, although the
girl was his sister, he had no right to separate her from the _corps
d’opera_, with whom she was travelling through Gaeta.
“_E vero è verissimo_,” cried Marietta with joyful triumph.
“What is it to him if I like my liberty, and prefer wandering about,
singing here and there.”
“Marietta! beware! dare not to speak ill of me!” screamed the retiring
Giorgio, looking back over his shoulder, and accompanying his words with
a look of such frightful menace as completely subdued his sister.
Public-domain text, read in full here on John Shaqi.
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