Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
General
Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
Well might the poor child be wild and disordered. She had passed the
night in the catacombs of San Gennaro, under Capo di Monte. In these
subterranean galleries were held the nightly meetings of the band of
desperate _bravi_ of whom Giorgio was in secret the chief. The entrance
to the catacombs is in a deserted vineyard, and is overgrown by huge
aloes; rooted in stones and sharp rocks, they lift their thorny leaves
above the opening, and conceal it effectually. A solitary fig-tree that
grows near renders the spot easily recognisable by those already
acquainted with the secret. The catacombs themselves are wide winding
caves, the burial-place of the dead of past ages. Piles of human bones,
white and bleached by time, are heaped along the rocky sides of these
caverns. In one of these walks, whilst they were friends, Giorgio had
shown the place to Marietta. In those days he feared not to entrust his
mysterious way of life to her; for although in all common concerns she
was wild and untractable, yet in all that touched the interests of those
few whom she loved, Marietta was silent and reserved as Epicharis
herself. The menaces Giorgio let fall in his visit on the preceding
forenoon had excited her highest alarm, and she determined, at any risk,
to learn the extent of the danger that hung over the stranger. After
waiting in vain for Idalie’s return till the close of evening, she had
hastened to Capo di Monte, entered the catacombs alone, and, concealed
behind a pile of bones, had awaited the arrival of the confederates.
They assembled at midnight. Their first subject of consultation was the
stranger. Giorgio acquainted them with his history, which he told them
had been communicated to him that very morning by a Russian lady of high
rank, who had likewise charged him with the business he had to unfold to
them. He described Ladislas as a fugitive, unprotected by any
Government; he bore about his person certain papers which had been found
in the palace of Warsaw, and were the confidential communications of the
Russian Autocrat to his brother the Viceroy of Poland, and were of such
a nature as to rouse all Europe against their writer. These papers had
been entrusted to Ladislas, whose intention was to proceed to Paris and
publish them there. Private business, however, of the greatest
importance, had forced him to visit Naples first. The Russian Government
had traced him to Naples, and had empowered a certain Russian lady to
take any step, or go any lengths, in order to obtain these papers from
Ladislas. This lady had made Giorgio her emissary; her name he carefully
concealed, but Marietta averred, from his description, that it could be
no other than the Princess Dashkhoff. After much consulting among the
band, the assassination of the Pole had been decided upon. This seemed
to be the only sure method; for he carried the papers ever about his
person, was distinguished for his bravery, and if openly attacked would
resist to the last.
Public-domain text, read in full here on John Shaqi.
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