Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
They had now arrived close on the low shore, and horses and two or three
light open carriages were at the water’s edge to convey them to the
temples. They landed. Ladislas presented himself to hand Idalie across
the plank from the vessel to the beach. “Yes?”—he asked her in a voice
of entreaty, as he pressed her hand. She softly returned the pressure,
and the word “Beware” trembled on her lips, when the young Englishman
who had before admired her, and had endeavoured to engross her attention
the whole day, was again at her side, to tell her that the Princess was
waiting for her in her carriage, and entreated her not to delay.
The party proceeded to where those glorious relics stand, between the
mountains and the sea, rising from the waste and barren soil, alone on
the wide and dusky shore. A few sheep grazed at the base of the columns,
and two or three wild-eyed men, clothed in garments of undressed
sheepskin, loitered about. Exclamations of wonder and delight burst from
all, while Ladislas, stealing away to the more distant ruin, gladly
escaped from the crowd, to indulge in lonely reverie. “What is man in
his highest glory?” he thought. “Had we burst the bonds of Poland; and
had she, in her freedom, emulated the magical achievements of Greece;
nevertheless when time, with insidious serpent windings, had dragged its
length through a few more centuries, the monuments we had erected would
have fallen like these, and our monuments—a new Pæstum—have existed
merely to excite idle wonder and frivolous curiosity!”
Ladislas was certainly in no good-humour while he thus vented his
spleen; but was annoyed by two circumstances, sufficient to irritate a
young philosopher: he beheld a scene, whose majestic beauty filled his
soul with sensibility and awe, in the midst of a crowd of pretenders,
more intent on the prospect of their picnic dinner, than on regarding
the glories of art; and he saw his bride, surrounded by strangers,
engrossed by their conversation and flattery, and unable to interchange
one word or look of confidence with him. He sighed for the hours passed
under the portico of Idalie’s solitary pavilion, and the near prospect
of their voyage did not reconcile him to the present; for his soul was
disturbed by the necessity of interchanging courtesies with his enemy,
and haunted by images of treacherous attempts, from which his valour
could not protect him.
Public-domain text, read in full here on John Shaqi.
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