The shout of battle—the firing—the clash of weapons were over. Above the crest of the hill, whose side had afforded ambush to the Greeks, the crescent moon hung, just about to dip behind; the stars in her train burnt bright as lamps floating in the firmament; while the fire-flies flashed among the myrtle underwood and up the mountain-side; and sometimes the steel of the arms strewn around, dropped from the hand of the dead, caught and reflected the flashes of the celestial or earthly stars. The ground was strewn with the slain. Such of the enemy as had cut their way through were already far—the sound of their horses’ hoofs had died away. The Greeks who had fled across the mountain had reached a place of safety—none lay there but the silent dead—cold as the moonbeam that rested for a moment on their pale faces. All were still and motionless; some lay on the hill-side among the underwood—some on the open road—horses and men had fallen, pell mell—none moved—none breathed. Yet there was a sigh—it was lost in the murmur of the stream; a groan succeeded, and then a voice feeble and broken, “My mother, my poor mother!”—the pale lips that spoke these words could form no other, a gush of tears followed. The cry seemed to awake another form from among the dead. One of the prostrate bodies raised itself slowly and painfully on its arm, the eyes were filmy, the countenance pallid from approaching death, the voice was hollow, yet firm, that said, “Who speaks?—who lives?—who weeps?” The question struck shame to the wounded man; he checked his overflow of passionate sobbings. The other spoke again, “It was not the voice of a Greek—yet I thought I had saved that gallant boy—the ball meant for him is now in my side.—Speak again, young Englishman—on whom do you call?” “On her who will weep my death too bitterly—on my mother,” replied Valency, and tears would follow the loved name. “Art thou wounded to death?” asked the chief.