Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
Suddenly a pause came in the delirium of joy which possessed his soul.
He received not the accustomed letters from his sister—missives which
had been to him angelic messengers, teaching him patience with the
unworthy—hope in disappointment—certainty of final triumph. Those dear
letters ceased; and he thought he saw in the countenances of his friends
around a concealed knowledge of evil. He questioned them: their answers
were evasive. At the same time, they endeavoured to fill his mind with
the details of some anticipated exploit in which his presence and
co-operation was necessary. Day after day passed; he could not leave his
post without injury to the cause, without even the taint of dishonour.
He belonged to a band of Albanians, by whom he had been received as a
brother and he could not desert them in the hour of danger. But the
suspense grew too terrible; and at length, finding that there was an
interval of a few days which he might call his own, he left the camp,
resting neither day nor night; dismounting from one horse only to
bestride another, in forty-eight hours he was in Athens, before his
vacant, desecrated home. The tale of horror was soon told. Athens was
still in the hands of the Turks; the sister of a rebel had become the
prey of the oppressor. She had none to guard her. Her matchless beauty
had been seen and marked by the son of the pasha; she had for the last
two months been immured in his harem.
“Despair is a cold, dark feeling,” said the dying warrior; “if I may
name that despair which had a hope—a certainty—an aim. Had Euphrasia
died I had wept. Now my eyes were horn—my heart stone. I was silent. I
neither expressed resentment nor revenge. I concealed myself by day; at
night I wandered round the tyrant’s dwelling. It was a pleasure-palace,
one of the most luxurious in our beloved Athens. At this time it was
carefully guarded: my character was known, and Euphrasia’s worth; and
the oppressor feared the result of his deed. Still, under shadow of
darkness I drew near. I marked the position of the women’s apartments—I
learned the number—the length of the watch—the orders they received, and
then I returned to the camp. I revealed my project to a few select
spirits. They were fired by my wrongs, and eager to deliver my
Euphrasia.”—
Public-domain text, read in full here on John Shaqi.
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