Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
Lostendardo appeared to attend little to what she said. He gazed on her
with triumph and malignant pride; and if he still held her his motive
appeared rather the delight he felt in displaying his power over her,
than any fear that she would escape. You might read in her pale cheek
and glazed eye, that if she feared, it was herself alone that she
mistrusted; that her design lifted her above mortal dread, and that she
was as impassive as the marble she resembled to any event that did not
either advance or injure the object for which she came. They were both
silent, until Lostendardo leading her to a seat, and then standing
opposite to her, his arms folded, every feature dilated by triumph, and
his voice sharpened by agitation, he said: “Well, speak! What wouldst
thou with me?”
“I come to request, that if you cannot be induced to assist Prince
Corradino in the present struggle, you will, at least, stand neutral,
and not oppose his advance to the kingdom of his ancestors.”
Lostendardo laughed. The vaulted roof repeated the sound, but the harsh
echo, though it resembled the sharp cry of an animal of prey whose paw
is on the heart of its enemy, was not so discordant and dishuman as the
laugh itself. “How,” he asked, “dost thou pretend to induce me to
comply? This dagger”—and he touched the hilt of one that was half
concealed in his vesture—“is yet stained by the blood of Manfred; ere
long it will be sheathed in the heart of that foolish boy.”
Despina conquered the feeling of horror these words inspired, and
replied: “Will you give a few minutes’ patient hearing?”
“I will give you a few minutes’ hearing, and if I be not so patient as
in the Palagio Reale, fair Despina must excuse me. Forbearance is not a
virtue to which I aspire.”
Public-domain text, read in full here on John Shaqi.
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