Tales for Fifteen; Or, Imagination and HeartCooper, James Fenimore
General
Tales for Fifteen; Or, Imagination and Heart
Cooper, James Fenimore
Girls -- Conduct of life -- Juvenile fiction; New York (N.Y.) -- Juvenile fiction
Whatever were the views of the family in collecting
their friends and acquaintances on this important
evening, they were completely successful in one
point at least; for, before nine, half the dilettanti of
the city were assembled in Greenwich-street, in a
most elaborate state of musical excitement.
Charlotte Henly, of course, was of the party,
although she was absolutely ignorant of a single
note, nor knew how to praise a scientific execution,
or to manifest disgust at simple melody. But, her
importance in the world of fashion, and her friend
Maria, obtained her a place. There was a reason
that secretly influenced Charlotte in electing her
evening's amusement, that was not known,
however, even to her friend.--George Morton played
on the German flute in a manner that vibrated on
her nerves with an exquisite thrill that she often
strove to conquer, and yet ever loved to indulge.
His musical powers were far from being generally
applauded, as they were thought to be deficient in
compass and variety; but Charlotte never
descended to criticism in music. She conceived it to
be an enjoyment for the senses only, or, rather,
she thought nothing about it; and if the rounds
failed to delight her, she unhesitatingly attributed
the circumstance to an absence of melody. It was
to listen to the flute of George Morton, then, that
the drawing-room of Mrs. Osgood was adorned with
the speaking countenance of Miss Henly.
Among the guests who made an early appearance
in this "Temple of Apollo," was the youth who had
attended the ladies in their walk. Seymour Delafield
glanced his eye impatiently around the apartment,
as soon as he had paid the customary compliments
to the mistress of the mansion and her bevy of fair
daughters; but a look of disappointment betrayed
the search to be an unsuccessful one. Both the look
and the result were noticed by Maria; and, turning a
glance of rather saucy meaning on the gentleman,
she said--
"I apprehend your flute, which, by the by, I am glad
to see you have brought, will be rather in the
PENSEROSO style this evening, Mr. Delafield."
{penseroso = melancholy}
"Unless enlivened by the contagious gayety of your
smile," returned Delafield, endeavouring to look
excessively unconcerned; "but"--
"Oh! my very laugh is musical, I know," interrupted
Maria; "but then it is often shockingly out of time."
"It seldom fails to produce an accompaniment,"
said the gentleman, now smiling in reality; "but"--
"Where is Charlotte Henley?" said the young lady,
again interrupting him; "she has a perfect horror of
the tuning of fiddles and the preparatory
thrummings on the piano; so endeavour to preserve
the harmony of your temper for the second act."
"Well! it is some relief to know she is coming at
all," cried Seymour, quickly; and then, recovering
himself with perfect breeding, he added--"for one
would wish to see you as happy as all your friends
can make you, on such an occasion."
Public-domain text, read in full here on John Shaqi.
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