Tales for Fifteen; Or, Imagination and HeartCooper, James Fenimore
General
Tales for Fifteen; Or, Imagination and Heart
Cooper, James Fenimore
Girls -- Conduct of life -- Juvenile fiction; New York (N.Y.) -- Juvenile fiction
"Seem I so well, dear Charlotte?" he at length said
in a low, tremulous, and hollow voice, "seem I so
well? I believe you are right, and that I shall
shortly be better--much better."
"What mean you, George? feel you any worse? have
I disturbed you with my presence and my
thoughtless gaiety?"
The young man smiled again, but the expression of
his face was no longer mingled with a look of
anguish; it was a kind benevolent gleam of
gratitude and affection which crossed his ghastly
features, like a ray of sunshine enlivening the
gloom of a day in winter.
"You disturb me, Charlotte!" he answered, his very
voice trembling as if in sympathy with his frame: "I
do believe but for you I should have been long
since in my grave."
"No, no, George, this is too melancholy a theme for
us both just now; let us talk of your returning
health."
He pressed her hand to his heart before he replied--
"My health will never return; I am lost to this world;
and in fact at this moment I properly belong to
another in my body: would to God that I was purely
so in feelings also."
"Surely, George, you are alarming yourself
unnecessarily."
"I am not alarmed," he replied; "I have too long
foreseen this event, to feel alarmed at my
approaching dissolution--no, for that, blessed be
my God and my Redeemer, I am in some degree
prepared; but I feel it impossible to shake off the
feelings of this life while the pulse continues to
beat, and yet the emotions I now experience must
be in some measure allied to heaven; they are not
impure, they are not selfish; nothing can partake of
either, dear Charlotte, where your image is
connected with the thoughts of a future world."
"Oh, George! talk not so gloomily, so cruelly, this
morning--your whole countenance contradicts your
melancholy speech, and you are better--indeed you
are;--you must be better."
"Yes, I am better, I am nearly well," returned the
youth, pausing a moment, while a struggle of the
most painful interest seemed to engross his
thoughts. As it passed away, he drew his hand
feebly across his clammy brow, and, smiling faintly,
resumed his speech,--"on the brink of the grave, at
a moment when all thoughts of me must be
connected with the image of death, there can no
longer be any necessity for silence. You have been
kind to us, dear Miss Henley, as you are kind to all;
but to me your sympathy has been trebly dear, for
it has brought with it a consolation and pleasure
that you but little imagine."
Miss Henley raised her tearful eyes from the floor to
his wan features, that now appeared illumined with
more than human fires, and her pale lips quivered,
but her voice was inaudible.
Public-domain text, read in full here on John Shaqi.
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