"But no masterpiece could allay the glowing tumults of my soul, and
again I paced the church with feverish impatience. At length the
peerless Laura entered, and, alas, poor Titian! the charms of thy
creative pencil withered as she approached--the vivid splendours of
thy colouring faded before the paramount beauties of nature! She
was attired in the picturesque garb and head-dress of Venice; her
veil was raised; and her fine countenance, radiant with beauty and
intelligence, imparted life, dignity, and lustre to every surrounding
object.
"She was accompanied by her mother, and after prostration before the
altar, they retired to their devotions in the body of the church.
I stood in a position which enabled me to observe every look and
gesture, and it did not escape me that Laura, while kneeling, cast a
look of supplication towards heaven, and sighed deeply. She soon
became conscious of my presence; and rising, she took a chair, and
fixed upon me a look so deeply penetrative, so fraught with tender
meaning, and yet so timidly, so truly modest, that every chord
of feeling in my frame was thrilled with sudden transport. To
uninterested observers her deportment was tranquil, but ere long I
could discern tokens of deep and anxious thought clouding her lovely
face. Her lips quivered as if in sympathy with some inward feeling of
doubt and apprehension, which at length subsided, and her angelic
features were suddenly irradiated with a tender and enchanting smile.
She then read for some time in her book, and marked a place in it with
a card, to which, by an expressive glance, she directed my attention.
The mass was concluded, the congregation quitted the church, and I
availed myself of the crowded portal to approach and take the card,
which she conveyed to me unperceived. I hastened from the spot, and
seized the first opportunity to read these words--'_Two hours after
midnight, at the postern near the canal._' The card said no more; but,
to a lover, it spoke volumes.
Public-domain text, read in full here on John Shaqi.
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