of some half-dozen words "in character." But when I first became
initiated into the mysteries of amateur performances, and saw how
entirely destitute some men were of any notion of natural acting, and
how they made a point of repeating two lines of familiar dialogue with
the tone and manner, but without the correctness, of a schoolboy going
through a task--then it ceased to be any matter of wonder that those to
whom acting was no joke, but an unhappily earnest mode of getting bread,
should so often make their performance appear the uneasy effort which it
is. There was one man in particular, a good-humoured, gentlemanly
fellow, a favourite with us all,--not remarkable for talent, but a
pleasant companion enough, with plenty of common-sense. Well, "he would
be an actor"--it was his own fancy to have a part, and, as he was "one
of us," we could not well refuse him. We give him an easy one, for he
was not vain of his own powers, or ambitious of theatrical distinction;
so he was to be "second fellow"--one of Tony's pot-companions. He had
but two lines to speak; but from the very first time I heard him read
them, I set him down as a hopeless case. He read them as if he had just
learned to spell the words; when he repeated them without the book, it
was like a clergyman giving out a text. And so it was with a good many
of the rank and file of the company; we had more labour to drill them
into something like a natural intonation than to learn our own longest
speeches twice over. So we made their attendance at rehearsals a _sine
qua non_. We dismissed a promising "Mat Muggins" because he went to the
"Union" two nights successively, when he ought to have been at "The
Three Pigeons." We superseded a very respectable "landlord" (though he
had actually been measured for a corporation and a pair of calves) for
inattention to business. The only one of the supernumeraries whom it was
at all necessary to conciliate, was the gentleman who was to sing the
comic song instead of Tony (Savile, the representative of the said
Tony, not having music in his soul beyond a view-holloa). He was allowed
to go and come at our readings _ad libitum_, upon condition of being
very careful not to take cold.
Public-domain text, read in full here on John Shaqi.
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