Walter was really concerned at the bonne femme's account of his little
friend, but at that moment he could spare but a passing thought to any
subject save one; and having gleaned all the intelligence he was likely
to obtain respecting it, he cut short the colloquy with a hasty "Bon
soir," and bounded on his way with such impetuous speed, that the
entrance-gate of St Hilaire was still vibrating with the swing with
which it had closed behind him, when he was half through the avenue, and
just at one of its side openings into a little grove, or labyrinth, in
which was a building, called Le Pavillon de Diane. He stopped to gaze
for a moment at the gleam of its white walls, discernible through an
opening in the thicket, for the sight was associated with many "blissful
memories." But the present _was all_ to him, and again he was starting
onward, when his steps were arrested by sounds that mingled with the
cooing of the wood-pigeon among "the umbrageous multitude of leaves."
Other sounds were none at that stillest hour of the still sultry
evening; and among the mingled tones, Walter's ear caught some not to be
mistaken, for the voice that uttered them was that of Adrienne. Its
breathings were, however, in a higher and less mellifluous key than
those of the plaintive bird; but a third voice, sweeter than either,
uttered a low undertone, and _that_ voice was the voice of Madelaine.
Quick was the ear of Walter to recognise and distinguish those familiar
accents, but its sense of melody yielded _of course_ to the fond
prejudice, which could not have been expected to find harshness in the
tones of his mistress, or allow superior sweetness to those of another
voice. Whatever were his secret thoughts on that head, it is not to be
supposed that at such a moment he stopped to compare the "wood-notes
wild," as coolly and critically as if he were weighing the merits of a
pair of opera-singers. No--after a second of attention--not half a one
of doubt--he sprang aside from the road leading to the mansion, and was
lightly and swiftly threading the tortuous woodpath, and could now
discern, through one of its bowery archways, the sparkling of the little
fountain that played before one of the three entrances to the pavilion,
and another turn of the sylvan puzzle would have brought him to the
spot; but in his impatience he lost the well-known clue, and in a moment
found himself at the back, instead of the front of the small temple.
The corner would have been rounded at three steps; but at that
critical moment, a word spoken by the most vehement of the fair
colloquists--spoken at the highest key of a voice, whose powers Walter
was now for the first time fully aware of--arrested his steps as by art
magic. His own name was uttered, associated with words of such strange
import, that Walter's astonishment, overpowering his reflective
faculties, made him excusable in remaining, as he did, rooted to the
spot, a listener to what passed within.
Public-domain text, read in full here on John Shaqi.
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