In France, a few years ago, duels, even when fatal in result, did
not necessarily entail strict judicial investigation, unless such
investigation was provoked by the friends of the fallen man. In the
instance here recorded no one thought proper to take vindictive steps.
Fatello's coachman was instructed, and largely bribed, to say that his
master had been struck with apoplexy in his carriage, and that, on
discovering his condition, he had at once driven him to Dr Pilori. The
physician's arrival at the house, in company with the corpse, and the
absence of hemorrhage from the wound, rendered it easy to conceal the
latter, and gave plausibility to the story, which found general credit.
It was not till several days afterwards that a report spread of the real
cause of the banker's death. Even then it attained little publicity, and
by many was looked upon as a malicious fabrication. Before it got wind,
however, the survivors of the domestic drama we have narrated, were
far from its scene. By a will made a month before his death, Fatello
had left the whole of his great riches, with the exception of some
munificent donations to public charities, and of an ample legacy to
Captain Carcassonne, to a cousin of his own name in Alsace. But he
could not alienate his wife's fortune, or deprive her of the splendid
jointure secured to her by her father's cautious greediness; and these
constituted very large wealth, with which his widow, shortly after his
death, left Paris for her native country. Her Parisian friends and
acquaintances were edified, in the highest degree, by the grief she
displayed at Fatello's decease. She was disconsolate; and, for at least
a day and a half, "_cette pauvre Madame Fatello_" was the prevailing
topic of conversation, and the object of universal sympathy. Henpecked
husbands held her up as a model of conjugal affection; and wicked wives
secretly wondered at the poignant regret shown by such a young, rich,
and handsome widow, for so ugly, unprepossessing, and morose a man. But
it occurred to no one to seek the cause of her excessive grief in a
bridal wreath instead of in a funeral shroud; to trace the source of her
sorrow to the loss of an expected husband whom she passionately loved,
not to that of a departed one, whom she never regretted.
Public-domain text, read in full here on John Shaqi.
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