The building itself was a bold and striking object; lofty and
well-proportioned, though heavy in its style of architecture; and
so extensive as to form, with its tributary offices, one entire side
of the quadrangle, or "Piazza," in which it stood. Under ordinary
circumstances, the traffic and bustle of such an establishment, which
was of capacity to furnish accommodation for all the charitable purposes
of the city, must have been considerable and imposing; but, at this
period, the immense accession of duty, and consequently of activity,
which the calamity of the time had thrust upon it, rendered some of its
features extraordinary and interesting in the highest possible degree.
The overwhelming excess of patients poured into the house (vast numbers
being still every day compelled to be rejected) had called every
lobby--every crevice and corner--in addition to the ordinary apartments
allotted to the sick, into requisition; and the building being profusely
furnished, up to the very fourth story, with windows and lattices of
ventilation--from the immense additional array of lamps and candles in
every quarter, which its increase of business and multiplication of
inhabitants presented--the whole front of the edifice blazed like
the face of an immense lantern; and, in spite of the damp breath
of the sufferers within, which condensed in streams upon the glass
window-panes, and dimmed their transparency, poured out a volume of
light, not merely across the whole area of the Piazza, but into the
very recesses of the houses on the farther side of it.
Public-domain text, read in full here on John Shaqi.
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