"Be quiet, knave!" exclaimed the valet, checking a second neigh of
anxiety from the black horse, as the bark disappeared. "I doubt I had
better make thee fast yet, or thou'lt be off into the river after our
master, and leave me here behind." He unbitted both the horses, loosened
the girths of their heavy saddles, and clothing them as well as he might
with the spare mantello and their own housings, fed them copiously with
meal that had been brought along. Then, first feeling for the rosary
within the breast of his garment, he drew his good broadsword from its
scabbard, gave a last glance to see that his beasts were in safety, and
seated himself, with his face to the river, at the foot of the most
convenient tree he could select. And in this position, well on the alert
to guard against surprise, and recommending himself especially to the
protection of St Jago, with his weapon in one hand, and his wine-flask
in the other, in silence he expected the event.
* * * * *
It was a chamber for luxury to dwell in, that in which the Countess
Arestino lay, suited to tastes which knew no limit but their will, and
decked for climates to which winter was a stranger. The walls were hung
with draperies of pale-blue silk; richly wrought carpets--the treasures
of the East--were spread at intervals upon the floor of shining marble.
Oil from the Tuscan olive, mixed with frankincense and myrrh, burned
in silver lamps, whose pale flames lighted the lofty chamber without
sullying its delicious coolness. And in every window, flowers disposed
in vases of alabaster, each carved with the work of half an artist's
life, loaded the light breeze which whispered through the lattice with
the richest odours of the season.
The painting of the roof--alone a masterpiece!--was executed by such
hands as already, if not noble, claimed little less than noble's
deference, and showed more even than noble's pride. The mattressed
couches, ranged around the chamber, suiting in colour with its pale-blue
tapestry, were of a satin, rich, and quaintly patterned, and bordered
with embroidery of flowering silver. And those couches, with their
pillows of down and velvet--light and elastic as they bounded to the
touch--were harsh and rude compared with the bed on which the Countess
lay--but she slept not.
"Giuletta! Giuletta! The twelfth hour is passed, and still comes he not?
Camilla--Girl, canst thou hear nothing--is Camilla surely at the gate?"
"What, nothing! why then the messenger----? Yet he had _not_ failed; it
was impossible!"
"The danger, perhaps?" doubtfully whispered a dark-haired girl, who
watched beside the turret-stair.
"Danger! When had Lorenzo di Vasari gone back for danger!"
"Sickness?"
Public-domain text, read in full here on John Shaqi.
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