New York (N.Y.) -- Fiction; Short stories; Theater -- Fiction
The second act of “William Tell” had ended at the Grand Opera House.
The incandescent lights of ceiling and proscenium flashed up, showering
radiance upon the vast surface of summer costumes and gay faces in the
auditorium. The audience, relieved of the stress of attention, became
audible in a great composite of chatter. A host streamed along the
aisles into the wide lobbies, and thence its larger part jostled through
the front doors to the brilliantly illuminated vestibule. Many passed
on into the wide sidewalk, where the electric light poured its rays upon
countless promenaders whose footfalls incessantly beat upon the aural
sense. Scores of bicyclists of both sexes sped over the asphalt up and
down, some now and then deviating to make way for a lumbering yellow
'bus or a hurrying carriage.
Men and women, young people composing the majority, strolled to and fro
in the roomy lobby that environs the auditorium on all sides save that
of the stage. A group of enthusiasts stood between the rear door of the
box-office and the wide entrance to the long middle aisle.
“How magnificently Guille held that last note!”
“What good taste and artistic sense Madame Kronold has!”
“Del Puente hasn't been in better voice in years.”
“But you know, Mademoiselle Islar is decidedly a lyric soprano.”
These were some of the scraps of the conversation of that group. A
lithe, athletic-looking man of thirty stood mechanically listening
to them, as he stroked his black moustache. He was in summer attire,
evidently disdaining conventionalities, preferring comfort.
Suddenly losing interest in the conversation in his vicinity, he started
toward the Montgomery Avenue side of the lobby, with the apparent
intention of breathing some outside air at one of the wide-barred exits,
where children stood looking in from the sidewalk, and catching what
glimpses they could of the audience through the doorways in the glass
partition bounding the auditorium.
He by chance cast his glance up the unused staircase leading to the
balcony from the northern part of the lobby. He saw upon the third step
a young woman in a dark flannel outing-dress, her face concealed by a
veil. She seemed to be watching some one among those who stood or moved
near the Montgomery Avenue exits, which had wire barriers.
“By Jove!” he said, within himself, “surely I know that figure! But I
thought she had gone to the Catskills, and I never supposed her capable
of wearing negligee clothes at the theatre. There can be no mistaking
that wrist, though, or that turn of the shoulders.”
He stepped softly to her side and lightly touched one of the admired
shoulders.
She turned quickly and suppressed an exclamation ere it was
half-uttered.
“Why, Harry--Doctor Haslam, I mean! How did you know it was I?”
“Why, Amy--that is to say, Miss Winnett! What on earth are you doing
here? Pardon the question, but I thought you were on the mountains. I'm
all the more glad to see you.”
Public-domain text, read in full here on John Shaqi.
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