New York (N.Y.) -- Fiction; Short stories; Theater -- Fiction
First let me explain how I came to be sitting in so unsavoury a place as
Gorson's “fifteen cent oyster and chop house” that night. Most newspaper
men--the rank and file--receive remuneration by the week. Those not
given over to domesticity, those who enjoy that alluring regularity
identical with liberty, fare sumptuously, as a rule, on “pay-day.”
Thereafter the quantity and quality of the good things of life that they
enjoy diminish daily until the next pay-day.
Pay-day with us was Friday. This was Thursday night. I having gone to
unusual lengths of good cheer in the early part of that week, had
now fallen low, and was duly thankful for what I could get--even at
Gorson's.
As my glance wandered over my table, over the beer-bottles and the
oysters, beyond the crowd of ravenous and vulgar eaters and hurrying
waiters, to the street door, some one opened that door from the outside
and entered. An odd looking personage this some one.
A person very tall and conspicuously thin. These peculiarities were
accentuated by the dilapidated frock coat that reached to his knees, and
thus concealed the greater portion of his gray summer trousers, which
“bagged” exceedingly and were picturesquely frayed at the bottom edges,
as I could see when he came nearer to me. He wore a faded straw hat,
which looked forlorn, as the month was January. His face, despite
its angularity of outline and its wanness, had that expression of
complacency which often relieves from pathos the countenances of
harmlessly demented people. His hair was gray, but his somewhat
formidable looking moustache was still dark. He carried an unadorned
walking-stick and under his left arm was what a journalistic eye
immediately recognized as manuscript. From the man's aspect of extreme
poverty, I deduced that his manuscripts were never accepted.
As he passed the cashier's desk, he stopped, lowered his body, not by
stooping in the usual way, but by bending his knees, and with a quick
sweep of his eyes by way of informing himself whether or not he was
observed, he picked up a cigar stump that some one had dropped there.
Then he walked with a rather shambling but self-important gait to the
table next mine, carefully placed his manuscript upon a chair, and
sat down upon it. He was soon lost in a prolonged contemplation of the
limited bill of fare posted on the wall, a study which resulted in
his ordering, through a hustling, pugnacious-looking waiter, a bowl of
oatmeal.
Public-domain text, read in full here on John Shaqi.
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