New York (N.Y.) -- Fiction; Short stories; Theater -- Fiction
“Oh, he's waiting for Miss Moran. She didn't always go home from the
theatre in a cab. She acquired the habit abroad, I suppose. How she's
changed. I knew her in other days.”
“Really? I didn't know that. Tell me about her.”
“It's a common story. She's the result of a mercenary mother's schemes.
She's not as old as people think, you know. Her career has been
eventful, which makes it seem long. But I was in the cast, playing a
small part in the first play she ever appeared in, and that was only
twelve years ago. She was about twenty-one then. She waited on customers
in her mother's little stationery store, until one day she eloped with a
poor young fellow whom she loved, in order to escape a rich old man whom
her mother had selected for a son-in-law. She could have endured
poverty well enough, if the mother hadn't done the
'I--forgive--and--Heaven--bless--you--my--children' act, after which she
succeeded in making the girl quarrel with her husband continually. She
was a schemer, that mother. A theatrical manager, whom she knew, was
introduced to the girl, who was more beautiful then than ever afterward.
The mother managed to have the girl's husband discharged from the bank
where he was employed on the same day that the manager made the girl an
offer to go on the stage. The boy naturally wanted to keep his wife with
him, but the mother told him he was a fool.
“'I'll travel with her,' she said, 'and you stay here and get another
situation.' The wife, intoxicated at the prospects of stage triumphs,
urged, and the boy gave in.
“A year or so after that, the girl had drifted completely out of the
husband's life, as they say in society plays, the mother managed to
bring about the estrangement so promptly.
“The husband stayed at home and got work in a railroad office or
somewhere, so as to earn money with which to drink himself to death--I
say, let's go in here and eat. If we go to the club, I'll be bored to
death with congratulations.”
We turned into a lighted vestibule and mounted the stairs to a modest
little café over a Broadway saloon. There, over the cigars and Pilsner
presently the comedian continued the story:
“When the husband learned that to his charming mother-in-law's
machinations he owed the loss of his position and his wife, he bided his
time, like a sensible fellow, and one day he called upon the old lady at
her flat. Without a word, he proceeded to pull out much of her hair and
otherwise to disfigure her permanently, which, as she was a vain woman,
made her miserable the rest of her days. Then he disappeared, and has
not been heard of since. It seems strange the thing never got into the
newspapers. By the way, you won't print this story, my boy, until she or
I leave the profession.”
“Why not? Are you the only man who knows it?”
“No; it was general gossip in the profession at that time.”
“How did you get it so straight?”
Public-domain text, read in full here on John Shaqi.
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