A slender old lady, over sixty, rather tall, in a brown silk skirt, and
a white burnouse that showed the shrunken slimness of her arms, came
eagerly forward. She was still rather pretty, with small refined
features, large expressionless blue eyes, and long whitish-yellow
ringlets down her cheeks, in the fashion of forty years ago.
"Oh, _dear_ Miss Hamelyn," she cried, "how _glad_ I am to see you.
And have you brought your _charming_ young relation?"
She spoke with a languid foreign accent, and with an emphatic and
bountiful use of adjectives, that gave to our severer generation an
impression of insincerity. Yet it was said with truth that Giulia
Petrucci had never forgotten a friend nor an enemy.
"Goneril is outside" said Miss Hamelyn. "How is Miss Prunty?"
"Brigida? Oh, you must come inside and see my invaluable Brigida. She is
as usual fatiguing herself with our accounts." The old lady led the way
into the darkened parlour. It was small and rather stiff. As one's eyes
became accustomed to the dim green light one noticed the incongruity of
the furniture; the horsehair chairs and sofa, and large accountant's
desk with ledgers; the large Pleyel grand piano, a bookcase, in which
all the books were rare copies or priceless MSS. of old-fashioned
operas; hanging against the wall an inlaid guitar and some faded laurel
crowns; moreover, a fine engraving of a composer, twenty years ago the
most popular man in Italy; lastly, an oil-colour portrait, by Winterman,
of a fascinating blonde, with very bare white shoulders, holding in her
hands a scroll, on which were inscribed some notes of music, under the
title Giulia Petrucci. In short, the private parlour of an elderly and
respectable Diva of the year '40.
"Brigida!" cried Madame Petrucci, going to the door. "Brigida! our
charming English friend is arrived!"
"All right!" answered a strong hearty voice from upstairs. "I'm coming."
"You must excuse me, dear Miss Hamelyn," went on Madame Petrucci. "You
must excuse me for shouting in your presence, but we have only one
little servant, and during this suffocating weather I find that any
movement reminds me of approaching age." The old lady smiled, as if that
time were still far ahead.
"I am sure you ought to take care of yourself," said Miss Hamelyn. "I
hope you will not allow Goneril to fatigue you."
"Gonerilla! What a pretty name! Charming! I suppose it is in your
family?" asked the old lady.
Miss Hamelyn blushed a little, for her niece's name was a sore point
with her.
"It's an awful name for any Christian woman," said a deep voice at the
door. "And pray who's called Goneril?"
Miss Prunty came forward; a short, thick-set woman of fifty, with fine
dark eyes, and, even in a Florentine summer, with something stiff and
masculine in the fashion of her dress.
"And have you brought your niece?" she said, turning to Miss Hamelyn.
"Yes, she is in the garden."
"Well; I hope she understands that she'll have to rough it here."
Public-domain text, read in full here on John Shaqi.
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