Shakespeare, William, 1564-1616 -- Adaptations; Shakespeare, William, 1564-1616 -- Stories, plots, etc. -- Juvenile literature
It happened that Othello and Iago had entered into the room where
Desdemona was, just as Cassio, who had been imploring her
intercession, was departing at the opposite door; and Iago, who
was full of art, said in a low voice, as if to himself, “I like
not that.” Othello took no great notice of what he said; indeed,
the conference which immediately took place with his lady put it
out of his head; but he remembered it afterward. For when
Desdemona was gone, Iago, as if for mere satisfaction of his
thought, questioned Othello whether Michael Cassio, when Othello
was courting his lady, knew of his love. To this the general
answering in the affirmative, and adding, that he had gone
between them very often during the courtship, Iago knitted his
brow, as if he had got fresh light on some terrible matter, and
cried, “Indeed!” This brought into Othello’s mind the words which
Iago had let fall upon entering the room and seeing Cassio with
Desdemona; and he began to think there was some meaning in all
this, for he deemed Iago to be a just man, and full of love and
honesty, and what in a false knave would be tricks in him seemed
to be the natural workings of an honest mind, big with something
too great for utterance. And Othello prayed Iago to speak what he
knew and to give his worst thoughts words.
“And what,” said Iago, “if some thoughts very vile should have
intruded into my breast, as where is the palace into which foul
things do not enter?” Then Iago went on to say, what a pity it
were if any trouble should arise to Othello out of his imperfect
observations; that it would not be for Othello’s peace to know
his thoughts; that people’s good names were not to be taken away
for slight suspicions; and when Othello’s curiosity was raised
almost to distraction with these hints and scattered words, Iago,
as if in earnest care for Othello’s peace of mind, besought him
to beware of jealousy. With such art did this villain raise
suspicions in the unguarded Othello, by the very caution which he
pretended to give him against suspicion.
“I know,” said Othello, “that my wife is fair, loves company and
feasting, is free of speech, sings, plays, and dances well; but
where virtue is, these qualities are virtuous. I must have proof
before I think her dishonest.”
Public-domain text, read in full here on John Shaqi.
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