Shakespeare, William, 1564-1616 -- Adaptations; Shakespeare, William, 1564-1616 -- Stories, plots, etc. -- Juvenile literature
While he was in this irresolute mind there came to the court certain
players, in whom Hamlet formerly used to take delight, and particularly
to hear one of them speak a tragical speech, describing the death of old
Priam, King of Troy, with the grief of Hecuba his queen. Hamlet welcomed
his old friends, the players, and remembering how that speech had
formerly given him pleasure, requested the player to repeat it; which he
did in so lively a manner, setting forth the cruel murder of the feeble
old king, with the destruction of his people and city by fire, and the
mad grief of the old queen, running barefoot up and down the palace,
with a poor clout upon that head where a crown had been, and with
nothing but a blanket upon her loins, snatched up in haste, where she
had worn a royal robe; that not only it drew tears from all that stood
by, who thought they saw the real scene, so lively was it represented,
but even the player himself delivered it with a broken voice and real
tears. This put Hamlet upon thinking, if that player could so work
himself up to passion by a mere fictitious speech, to weep for one that
he had never seen, for Hecuba, that had been dead so many hundred years,
how dull was he, who having a real motive and cue for passion, a real
king and a dear father murdered, was yet so little moved, that his
revenge all this while had seemed to have slept in dull and muddy
forgetfulness! and while he meditated on actors and acting, and the
powerful effects which a good play, represented to the life, has upon
the spectator, he remembered the instance of some murderer, who seeing a
murder on the stage, was by the mere force of the scene and resemblance
of circumstances so affected, that on the spot he confessed the crime
which he had committed. And he determined that these players should play
something like the murder of his father before his uncle, and he would
watch narrowly what effect it might have upon him, and from his looks he
would be able to gather with more certainty if he were the murderer or
not. To this effect he ordered a play to be prepared, to the
representation of which he invited the king and queen.
The story of the play was of a murder done in Vienna upon a duke. The
duke's name was Gonzago, his wife Baptista. The play showed how one
Lucianus, a near relation to the duke, poisoned him in his garden for
his estate, and how the murderer in a short time after got the love of
Gonzago's wife.
Public-domain text, read in full here on John Shaqi.
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