Shakespeare, William, 1564-1616 -- Adaptations; Shakespeare, William, 1564-1616 -- Stories, plots, etc. -- Juvenile literature
Othello had lately promoted Cassio to be the lieutenant, a place of
trust, and nearest to the general's person. This promotion gave great
offence to Iago, an older officer who thought he had a better claim than
Cassio, and would often ridicule Cassio as a fellow fit only for the
company of ladies, and one that knew no more of the art of war or how to
set an army in array for battle, than a girl. Iago hated Cassio, and he
hated Othello, as well for favouring Cassio, as for an unjust suspicion,
which he had lightly taken up against Othello, that the Moor was too
fond of Iago's wife Emilia. From these imaginary provocations, the
plotting mind of Iago conceived a horrid scheme of revenge, which should
involve both Cassio, the Moor, and Desdemona, in one common ruin.
Iago was artful, and had studied human nature deeply, and he knew that
of all the torments which afflict the mind of man (and far beyond bodily
torture), the pains of jealousy were the most intolerable, and had the
sorest sting. If he could succeed in making Othello jealous of Cassio,
he thought it would be an exquisite plot of revenge, and might end in
the death of Cassio or Othello, or both; he cared not.
The arrival of the general and his lady, in Cyprus, meeting with the
news of the dispersion of the enemy's fleet, made a sort of holiday in
the island. Everybody gave themselves up to feasting and making merry.
Wine flowed in abundance, and cups went round to the health of the black
Othello, and his lady the fair Desdemona.
Public-domain text, read in full here on John Shaqi.
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