Shakespeare, William, 1564-1616 -- Adaptations; Shakespeare, William, 1564-1616 -- Stories, plots, etc. -- Juvenile literature
At the representation of this play, the king, who did not know the trap
which was laid for him, was present, with his queen and the whole
court: Hamlet sitting attentively near him to observe his looks. The
play began with a conversation between Gonzago and his wife, in which
the lady made many protestations of love, and of never marrying a
second husband, if she should outlive Gonzago; wishing she might be
accursed if she ever took a second husband, and adding that no woman
did so, but those wicked women who kill their first husbands. Hamlet
observed the king his uncle change colour at this expression, and that
it was as bad as wormwood both to him and to the queen. But when
Lucianus, according to the story, came to poison Gonzago sleeping in
the garden, the strong resemblance which it bore to his own wicked act
upon the late king, his brother, whom he had poisoned in his garden, so
struck upon the conscience of this usurper, that he was unable to sit
out the rest of the play, but on a sudden calling for lights to his
chamber, and affecting or partly feeling a sudden sickness, he abruptly
left the theatre. The king being departed, the play was given over. Now
Hamlet had seen enough to be satisfied that the words of the ghost were
true, and no illusion; and in a fit of gaiety, like that which comes
over a man who suddenly has some great doubt or scruple resolved, he
swore to Horatio, that he would take the ghost's word for a thousand
pounds. But before he could make up his resolution as to what measures
of revenge he should take, now he was certainly informed that his uncle
was his father's murderer, he was sent for by the queen his mother, to
a private conference in her closet.
It was by desire of the king that the queen sent for Hamlet, that she
might signify to her son how much his late behaviour had displeased
them both, and the king, wishing to know all that passed at that
conference, and thinking that the too partial report of a mother might
let slip some part of Hamlet's words, which it might much import the
king to know, Polonius, the old counsellor of state, was ordered to
plant himself behind the hangings in the queen's closet, where he might
unseen hear all that passed. This artifice was particularly adapted to
the disposition of Polonius, who was a man grown old in crooked maxims
and policies of state, and delighted to get at the knowledge of matters
in an indirect and cunning way.
Public-domain text, read in full here on John Shaqi.
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