Shakespeare, William, 1564-1616 -- Adaptations; Shakespeare, William, 1564-1616 -- Stories, plots, etc. -- Juvenile literature
It happened that Othello and Iago had entered into the room where
Desdemona was, just as Cassio, who had been imploring her intercession,
was departing at the opposite door: and Iago, who was full of art, said
in a low voice, as if to himself: 'I like not that.' Othello took no
great notice of what he said; indeed, the conference which immediately
took place with his lady put it out of his head; but he remembered it
afterwards. For when Desdemona was gone, Iago, as if for mere
satisfaction of his thought, questioned Othello whether Michael Cassio,
when Othello was courting his lady, knew of his love. To this the
general answering in the affirmative, and adding, that he had gone
between them very often during the courtship, Iago knitted his brow, as
if he had got fresh light on some terrible matter, and cried: 'Indeed!'
This brought into Othello's mind the words which Iago had let fall upon
entering the room, and seeing Cassio with Desdemona; and he began to
think there was some meaning in all this: for he deemed Iago to be a
just man, and full of love and honesty, and what in a false knave would
be tricks, in him seemed to be the natural workings of an honest mind,
big with something too great for utterance: and Othello prayed Iago to
speak what he knew, and to give his worst thoughts words. 'And what,'
said Iago, 'if some thoughts very vile should have intruded into my
breast, as where is the palace into which foul things do not enter?'
Then Iago went on to say, what a pity it were, if any trouble should
arise to Othello out of his imperfect observations; that it would not
be for Othello's peace to know his thoughts; that people's good names
were not to be taken away for slight suspicions; and when Othello's
curiosity was raised almost to distraction with these hints and
scattered words, Iago, as if in earnest care for Othello's peace of
mind, besought him to beware of jealousy: with such art did this
villain raise suspicions in the unguarded Othello, by the very caution
which he pretended to give him against suspicion. 'I know,' said
Othello, 'that my wife is fair, loves company and feasting, is free of
speech, sings, plays, and dances well: but where virtue is, these
qualities are virtuous. I must have proof before I think her
dishonest.' Then Iago, as if glad that Othello was slow to believe ill
of his lady, frankly declared that he had no proof, but begged Othello
to observe her behaviour well, when Cassio was by; not to be jealous
nor too secure neither, for that he (Iago) knew the dispositions of the
Italian ladies, his countrywomen, better than Othello could do; and
that in Venice the wives let heaven see many pranks they dared not show
their husbands. Then he artfully insinuated that Desdemona deceived her
father in marrying with Othello, and carried it so closely, that the
poor old man thought that witchcraft had been used. Othello was much
moved with this argument, which brought the matter home to him, for if
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account