Tales from the German, Comprising specimens from the most celebrated authors
General
Tales from the German, Comprising specimens from the most celebrated authors
German fiction -- Translations into English; Short stories
While Nathaniel composed this poem he was very calm and collected; he
polished and improved every line, and having subjected himself to the
fetters of metre, he did not rest till all was correct and melodious.
When at last he had finished and read the poem aloud to himself, a wild
horror seized him, and he cried out: “Whose horrible voice is that?”
Soon, however, the whole appeared to him a very successful work, and he
felt that it must inflame Clara’s cold temperament, although he did not
clearly consider for what Clara was to be excited, nor what purpose it
would answer to torment her with the frightful images which threatened
a horrible destiny, destructive to their love. Both of them--that is
to say Nathaniel and Clara--were sitting in their mother’s little
garden, Clara very cheerful, because Nathaniel, during the three days
in which he had been writing his poem, had not teased her with his
dreams and his forebodings. Even Nathaniel spoke livelily and joyfully
about pleasant matters, as he used to do formerly, so that Clara said:
“Now for the first time I have you again! Do you not see that we have
driven away the ugly Coppelius?” Then it first struck Nathaniel that
he had in his pocket the poem, which he had intended to read. He at
once drew the sheets out and began, while Clara, expecting something
tedious as usual, resigned herself and began quietly to knit. But as
the dark cloud rose ever blacker and blacker, she let the stocking fall
and looked full into his face. He was carried along unceasingly by his
poem, an internal fire deeply reddened his cheeks, tears flowed from
his eyes. At last when he had concluded, he groaned in a state of
utter exhaustion, and catching Clara’s hand, sighed forth, as if melted
into the most inconsolable grief: “Oh Clara!--Clara!” Clara pressed
him gently to her bosom, and said softly, but very solemnly and
sincerely: “Nathaniel, dearest Nathaniel, do throw that mad, senseless,
insane stuff into the fire!” Upon this Nathaniel sprang up enraged,
and thrusting Clara from him, cried: “Thou inanimate, accursed
automaton!” He ran off; Clara, deeply offended, shed bitter tears, and
sobbed aloud: “Ah, he has never loved me, for he does not understand
me.” Lothaire entered the arbour; Clara was obliged to tell him all
that had occurred. He loved his sister with all his soul, and every
word of her complaint fell like a spark of fire into his heart, so that
the indignation which he had long harboured against the visionary
Nathaniel, now broke out into the wildest rage. He ran to Nathaniel
and reproached him for his senseless conduct towards his beloved sister
in hard words, which the infuriated Nathaniel retorted in the same
style. The appellation of “fantastical, mad fool,” was answered by
that of “miserable common-place fellow.” A duel was inevitable. They
agreed on the following morning, according to the academical custom of
the place, to fight with sharp rapiers behind the garden. Silently and
Public-domain text, read in full here on John Shaqi.
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