Although the personages are derived from Hindu history, they are wholly
of mortal mould, and unconnected with any mystical or mythological
legend; and the incidents are not only the pure inventions of the
dramatist, but they are of an entirely domestic nature.
It is stated in the prelude to be the composition of the sovereign, Sri
Harsa Deva. A king of this name, and a great patron of learned men,
reigned over Kashmir; he was the reputed author of several works, being,
however, only the patron, the compositions bearing his name being
written by Dhavaka and other authors.
RAJA SEKHAR.
Raja Sekhar is the author of Prachanda Pandava, Biddhasalvanjika, and
Karpura Manjari.
MURARI.
Murari composed Anargha Raghava.
VENISANHARA.
The author is Bhatta Narayana surnamed Mrigaraja or Simha, "the lion."
He is one of the five Brahmins who, with five Kayesthas, came from
Kanouj and settled in Bengal at the invitation of Adisura, the then king
of Bengal.
PROBODHA CHANDRODAYA.
This play was composed by Krishnamisra. It is an allegorical play, the
_dramatis personae_ of which consist entirely of abstract ideas, divided
into two conflicting hosts.
HANUMANANATAKA.
The play is a dramatized version of the story of Rama interspersed with
numerous purely descriptive poetic passages. It consists of fourteen
acts and on account of its great length is also called the Mahanataka,
or the great drama.
Tradition relates that it was composed by Hanuman, the monkey general,
and inscribed on rocks; but, Valmiki, the author of the Ramayana, being
afraid lest it might throw his own poem into the shade, Hanuman allowed
him to cast his verses into the sea. Thence fragments were ultimately
picked up by a merchant, and brought to King Bhoja, who directed the
poet Damodara Misra to put them together, and fill up the lacunae; whence
the present composition originated. Whatever particle of truth there may
be in this story, the "Great Drama" seems certainly to be the production
of different hands.
VASAVADATTA.
Vasavadatta of Subandhu is a short romance, of which the story is this.
Public-domain text, read in full here on John Shaqi.
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