Tales From the "Phantasus," etc. of Ludwig TieckTieck, Ludwig
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Tales From the "Phantasus," etc. of Ludwig Tieck
Tieck, Ludwig
German fiction -- Translations into English
He awoke from his dream, as a dry, withered hand struck him on the
shoulder, and some one called him by name. He started back, and
recognised his friend the morose Albert, who lived apart from men, and
whose lonely house was open only to the young Ferdinand. "Are you
mindful of our engagement?" asked the hoarse voice.
"O, yes," said Ferdinand; "and will you keep your promise to-day?"
"This very hour," replied the other, "if you will follow me."
They walked through the city to a distant street, and there into a
large building.
"To-day," said the old man, "you must give yourself the trouble to go
with me to the back part of the house, into my most solitary chamber,
that we may not be at all disturbed."
They passed through many rooms, then up some stairs, and along several
passages; and Ferdinand, who had thought that he knew the house well,
now could not but wonder at the number of the apartments, as well as
the singular arrangement of the spacious building; but more than all,
that the old man, who was not married and had no family, should occupy
it alone, with only a single servant, and would never let out any
portion of the superfluous room to strangers. At length Albert
unlocked a door, and said, "Now we are at the place." They entered a
large and lofty chamber, hung round with red damask, that was trimmed
with golden listings; the seats were of the same stuff; and through
heavy red silk curtains, which were let down, there glimmered a purple
light.
"Wait a moment," said the old man, as he went into another room.
Ferdinand, in the mean time, took up some books, in which he found
strange unintelligible characters, circles and lines, together with
many curious plates; and from the little he could read, they seemed to
him to be works on alchemy: he knew, also, that the old man had the
reputation of being a gold-maker. On the table lay a lute, singularly
overlaid with mother-of-pearl and coloured wood, and representing
birds and flowers in splendid forms. The star in the middle was a
large piece of mother-of-pearl, worked out in the most skilful manner
into many intersecting circles, almost like the centre of a window in
a Gothic church.
"You are looking at my instrument," said Albert, who had now returned:
"it is two hundred years old; I brought it with me as a memorial of my
journey into Spain. But now leave all that, and take a seat."
They sat down at the table, which likewise was covered with red cloth;
and the old man placed something on it which was carefully wrapped up.
Public-domain text, read in full here on John Shaqi.
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