I now ventured to the scene of merrymaking, and, presenting
myself before the dramatic corps, offered myself as a volunteer.
I felt terribly agitated and abashed, for “never before stood I
in such a presence.” I had addressed myself to the manager of the
company. He was a fat man, dressed in dirty white; with a red
sash fringed with tinsel, swathed round his body. His face was
smeared with paint, and a majestic plume towered from an old
spangled black bonnet. He was the Jupiter tonans of this Olympus,
and was surrounded by the interior gods and goddesses of his
court. He sat on the end of a bench, by a table, with one arm
akimbo and the other extended to the handle of a tankard, which
he had slowly set down from his lips as he surveyed me from head
to foot. It was a moment of awful scrutiny, and I fancied the
groups around all watching us in silent suspense, and waiting for
the imperial nod.
He questioned me as to who I was; what were my qualifications;
and what terms I expected. I passed myself off for a discharged
servant from a gentleman’s family; and as, happily, one does not
require a special recommendation to get admitted into bad
company, the questions on that head were easily satisfied. As to
my accomplishments, I would spout a little poetry, and knew
several scenes of plays, which I had learnt at school
exhibitions. I could dance—, that was enough; no further
questions were asked me as to accomplishments; it was the very
thing they wanted; and, as I asked no wages, but merely meat and
drink, and safe conduct about the world, a bargain was struck in
a moment.
Behold me, therefore transformed of a sudden from a gentleman
student to a dancing buffoon; for such, in fact, was the
character in which I made my debut. I was one of those who formed
the groups in the dramas, and were principally, employed on the
stage in front of the booth, to attract company. I was equipped
as a satyr, in a dress of drab frize that fitted to my shape;
with a great laughing mask, ornamented with huge ears and short
horns. I was pleased with the disguise, because it kept me from
the danger of being discovered, whilst we were in that part of
the country; and, as I had merely to dance and make antics, the
character was favorable to a debutant, being almost on a par with
Simon Snug’s part of the Lion, which required nothing but
roaring.
Public-domain text, read in full here on John Shaqi.
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