Tales of a Vanishing RiverReed, Earl H. (Earl Howell)
History
Tales of a Vanishing River
Reed, Earl H. (Earl Howell)
Illinois -- Social life and customs -- Fiction; Kankakee River (Ind. and Ill.) -- Fiction; Short stories, American
His heavy moustache was trained down in horseshoe fashion on each side
of his chin, and then twisted outward in a way that gave his face a
redoubtable expression when he frowned. He would often stand before the
three-cornered piece of mirror attached to the outside of the house,
combing and recombing the bellicose ornament, and observing it
attentively, until he achieved particular curves at the ends that
pleased his fancy. Apparently he affected a formidable facial aspect,
becoming to one who had led charging men.
[Illustration:
COLONEL JASPER M. PEETS
]
Evidently he had somewhere received a fair education, but outside of
fiction, a field he had widely covered, he seemed to have little
interest in books. His former environment had left a romantic polish,
heightened by a florid imagination. His character had been moulded by
the traditions of the south and they were the only religion he had. His
vanity was delightful, and he had the heart of a child. Little gifts of
tobacco and cigars made him happy for hours, and there was a subtle
lovable quality about him that radiated even in his foibles.
The old house stood on the rising ground, among tall elms and walnuts,
about two hundred feet from the river. It had never been painted. Some
of the clapboards and shingles were missing and others were loose. When
the wind blew, stray currents permeated the structure, and there were
mournful sounds between the walls—like the moanings of uneasy ghosts.
The little log barn was decayed and tenantless, with the exception of a
few scraggly hens and a vicious looking old game cock. The Colonel had
bought him somewhere and annexed him to his estate—possibly as a
concession to his early sporting instincts, or for sympathetic reasons.
They were both warriors of better days.
In an enclosure beyond the barn were half a dozen young razor backed
pigs. These noisy shoats were a continual source of irritation to the
Colonel. He declared that he would shoot the two sopranos and let the
other pork loose if Seth Mussey, who looked after them, did not put
muzzles on them or find some other way of keeping them quiet at night.
The Colonel did not do any “wo’k on the fahm.” This was attended to by
Mussey “on shares.” Mussey lived a quarter of a mile away, and was the
only neighbor. The “shares” were not very remunerative, but, added to
the Colonel’s other small resources, they made existence possible.
A narrow path led down to the river bank, where the Colonel kept his row
boat and a small duck canoe which he propelled with a long paddle. The
landing consisted of a couple of logs secured with stakes, and overlaid
with planks. During high water in the spring the landing usually floated
away and a new one was built when the freshets subsided. There was an
air of general shiftlessness about the place that would have been
depressing to anybody who did not know its eccentric proprietor.
Public-domain text, read in full here on John Shaqi.
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