“Can you believe that a man could be so stupid? He never knew of
my existence, this big, red booby. He never knew that I existed
until--until his 'dream' had fled--with me! In a week we were in Paris,
that dream-girl and I--in a month we had quarrelled. I always end these
matters with a quarrel; it makes the complete finish. She struck me in
the face--and I laughed. She turned and went away. We were tired of one
another.
“Ah!” Again he airily kissed his hand. “There were others after I had
gone. I heard for a time. But her memory is like a rose, fresh and fair
and sweet. I am glad I can remember her so, and not as she afterward
became. That is the art of love. She killed herself with absinthe, my
friends. She died in Marseilles in the first year of the great war.”
Thus far Tcheriapin had proceeded, and was in the act of airily flicking
ash upon the floor, when, uttering a sound which I can only describe as
a roar, Andrews hurled himself upon the smiling violinist.
His great red hands clutching Tcheriapin's throat, the insane Scotsman,
for insane he was at that moment, forced the other back upon the settee
from which he had half arisen. In vain I sought to drag him away from
the writhing body, but I doubt that any man could have relaxed that
deadly grip. Tcheriapin's eyes protruded hideously and his tongue lolled
forth from his mouth. One could hear the breath whistling through his
nostrils as Andrews silently, deliberately, squeezed the life out of
him.
It all occupied only a few minutes, and then Andrews, slowly opening his
rigidly crooked fingers, stood panting and looking down at the distorted
face of the dead man.
For once in his life the Scotsman was sober, and turning to Dr. Kreener:
“I have waited seven long years for this,” he said, “and I'll hang wi'
contentment.”
I can never forget the ensuing moments, in which, amid a horrible
silence broken only by the ticking of a clock and the heavy breathing
of Colquhoun (so long known to us as Andrews) we stood watching the
contorted body on the settee.
And as we watched, slowly the rigid limbs began to relax, and Tcheriapin
slid gently on to the floor, collapsing there with a soft thud, where
he squatted like some hideous Buddha, resting back against the cushions,
one spectral yellow hand upraised, the fingers still clutching a big
gold tassel.
Andrews (for so I always think of him) was seized with a violent fit
of trembling, and he dropped into the chair, muttering to himself and
looking down wild-eyed at his twitching fingers. Then he began to laugh,
high-pitched laughter, in little short peals.
“Here!” cried the doctor sharply. “Drop that!”
Crossing to Andrews, he grasped him by the shoulders and shook him
roughly.
The laughter ceased, and:
“Send for the police,” said Andrews in a queer, shaky voice. “Dinna fear
but I'm ready. I'm only sorry it happened here.”
“You ought to be glad,” said Dr. Kreener.
Public-domain text, read in full here on John Shaqi.
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