“Right,” said Harley shortly. “May I ask you to report the result to me,
Wessex?”
“I will report without fail.”
III
ALI OF CAIRO
It was not until the evening of the following day that Harley rang me
up, and:
“I want you to come round at once,” he said urgently. “The Deepbrow case
is developing along lines which I confess I had anticipated, but which
are dramatic nevertheless.”
Knowing that Harley did not lightly make such an assertion, I put aside
the work upon which I was engaged and hurried around to Chancery Lane.
I found my friend, pipe in mouth, walking up and down his smoke-laden
study in a state which I knew to betoken suppressed excitement, and:
“Did Wessex find your photographer?” I asked on entering.
“Yes,” he replied. “A first-class man, as I had anticipated. As I had
further anticipated he did a number of copies of the picture for the
foreign gentleman--about fifty, in fact!”
“Fifty!”
“Yes! Does the significance of that fact strike you?” asked Harley, a
queer smile stealing across his tanned, clean-shaven face.
“It is an extraordinary thing for even an ardent admirer to have so many
reproductions done of the same picture!”
“It is! I will show you now what I found trodden into one of the
footprints where the struggle took place beside the car.”
Harley produced a piece of thick silk twine.
“What is it?”
“It is a link, Knox--a link to seek which I really went down to
Deepbrow.” He stared at me quizzically, but my answering look must have
been a blank one. “It is part of the tassel of one of those red cloth
caps commonly called in England, a fez!”
He continued to stare at me and I to stare at the piece of silk; then:
“What is the next move?” I demanded. “Your new clue rather bewilders
me.”
“The next move,” he said, “is to retire to the adjoining room and make
ourselves look as much like a couple of Oriental commercial travellers
as our correctly British appearance will allow!”
“What!” I cried.
“That's it!” laughed Harley. “I have a perpetual tan, and I think I can
give you a temporary one which I keep in a bottle for the purpose.”
Twenty minutes later, then, having quitted Harley's chambers by a back
way opening into one of those old-world courts which abound in this part
of the metropolis, two quietly attired Eastern gentlemen got into a
cab at the corner of Chancery Lane and proceeded in the direction of
Limehouse.
There are haunts in many parts of London whose very existence is
unsuspected by all but the few; haunts unvisited by the tourist and
even unknown to the copy-hunting pressman. Into a quiet thoroughfare not
three minutes' walk from the busy life of West India Dock Road, Harley
led the way. Before a door sandwiched in between the entrance to a Greek
tobacconist's establishment and a boarded shop-front, he paused and
turned to me.
“Whatever you see or hear,” he cautioned, “express no surprise. Above
all, show no curiosity.”
Public-domain text, read in full here on John Shaqi.
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