“Well, no: not that either. I type my own things. What I’m looking for
is somebody who won’t be above tackling my correspondence.”
Vyse looked slightly surprised. “I should be glad of the job,” he then
said.
Betton began to feel a vague embarrassment. He had supposed that such a
proposal would be instantly rejected. “It would be only for an hour
or two a day--if you’re doing any writing of your own?” he threw out
interrogatively.
“No. I’ve given all that up. I’m in an office now--business. But it
doesn’t take all my time, or pay enough to keep me alive.”
“In that case, my dear fellow--if you could come every morning; but
it’s mostly awful bosh, you know,” Betton again broke off, with growing
awkwardness.
Vyse glanced at him humorously. “What you want me to write?”
“Well, that depends--” Betton sketched the obligatory smile. “But I was
thinking of the letters you’ll have to answer. Letters about my books,
you know--I’ve another one appearing next week. And I want to be
beforehand now--dam the flood before it swamps me. Have you any idea of
the deluge of stuff that people write to a successful novelist?”
As Betton spoke, he saw a tinge of red on Vyse’s thin cheek, and his own
reflected it in a richer glow of shame. “I mean--I mean--” he stammered
helplessly.
“No, I haven’t,” said Vyse; “but it will be awfully jolly finding out.”
There was a pause, groping and desperate on Betton’s part, sardonically
calm on his visitor’s.
“You--you’ve given up writing altogether?” Betton continued.
“Yes; we’ve changed places, as it were.” Vyse paused. “But about these
letters--you dictate the answers?”
“Lord, no! That’s the reason why I said I wanted somebody--er--well used
to writing. I don’t want to have anything to do with them--not a thing!
You’ll have to answer them as if they were written to _you_--” Betton
pulled himself up again, and rising in confusion jerked open one of the
drawers of his writing-table.
“Here--this kind of rubbish,” he said, tossing a packet of letters onto
Vyse’s knee.
“Oh--you keep them, do you?” said Vyse simply.
“I--well--some of them; a few of the funniest only.”
Vyse slipped off the band and began to open the letters. While he was
glancing over them Betton again caught his own reflection in the
glass, and asked himself what impression he had made on his visitor.
It occurred to him for the first time that his high-coloured well-fed
person presented the image of commercial rather than of intellectual
achievement. He did not look like his own idea of the author of “Diadems
and Faggots”--and he wondered why.
Vyse laid the letters aside. “I think I can do it--if you’ll give me a
notion of the tone I’m to take.”
“The tone?”
“Yes--that is, if I’m to sign your name.”
“Oh, of course: I expect you to sign for me. As for the tone, say just
what you’d--well, say all you can without encouraging them to answer.”
Vyse rose from his seat. “I could submit a few specimens,” he suggested.
Public-domain text, read in full here on John Shaqi.
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