Vyse made no comment on the change, and Betton was reduced to
wondering whether his imperturbable composure were the mask of complete
indifference or of a watchful jealousy. The latter view being more
agreeable to his employer’s self-esteem, the next step was to conclude
that Vyse had not forgotten the episode of “The Lifted Lamp,” and would
naturally take a vindictive joy in any unfavourable judgments passed on
his rival’s work. This did not simplify the situation, for there was
no denying that unfavourable criticisms preponderated in Betton’s
correspondence. “Abundance” was neither meeting with the unrestricted
welcome of “Diadems and Faggots,” nor enjoying the alternative of an
animated controversy: it was simply found dull, and its readers said so
in language not too tactfully tempered by regretful comparisons with its
predecessor. To withhold unfavourable comments from Vyse was, therefore,
to make it appear that correspondence about the book had died out; and
its author, mindful of his unguarded predictions, found this even more
embarrassing. The simplest solution would be to get rid of Vyse; and to
this end Betton began to address his energies.
One evening, finding himself unexpectedly disengaged, he asked Vyse
to dine; it had occurred to him that, in the course of an after-dinner
chat, he might delicately hint his feeling that the work he had offered
his friend was unworthy so accomplished a hand.
Vyse surprised him by a momentary hesitation. “I may not have time to
dress.”
Betton stared. “What’s the odds? We’ll dine here--and as late as you
like.”
Vyse thanked him, and appeared, punctually at eight, in all the
shabbiness of his daily wear. He looked paler and more shyly truculent
than usual, and Betton, from the height of his florid stature, said to
himself, with the sudden professional instinct for “type”: “He might be
an agent of something--a chap who carries deadly secrets.”
Vyse, it was to appear, did carry a deadly secret; but one less
perilous to society than to himself. He was simply poor--inexcusably,
irremediably poor. Everything failed him, had always failed him:
whatever he put his hand to went to bits.
This was the confession that, reluctantly, yet with a kind of
white-lipped bravado, he flung at Betton in answer to the latter’s
tentative suggestion that, really, the letter-answering job wasn’t worth
bothering him with--a thing that any type-writer could do.
“If you mean you’re paying me more than it’s worth, I’ll take less,”
Vyse rushed out after a pause.
“Oh, my dear fellow--” Betton protested, flushing.
“What _do_ you mean, then? Don’t I answer the letters as you want them
answered?”
Betton anxiously stroked his silken ankle. “You do it beautifully,
too beautifully. I mean what I say: the work’s not worthy of you. I’m
ashamed to ask you--”
Public-domain text, read in full here on John Shaqi.
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