Folklore -- Japan; Japan -- Social life and customs
We were shown into an apartment adjoining a small chapel--a room
opening on to a tastily arranged garden, wealthy in stone lanterns and
dwarfed trees. In the portion of the room reserved for the priest
stood a high table, covered with a cloth of white and scarlet silk,
richly embroidered with flowers and arabesques; upon this stood a
bell, a tray containing the rolls of the sacred books, and a small
incense-burner of ancient Chinese porcelain. Before the table was a
hanging drum, and behind it was one of those high, back-breaking
arm-chairs which adorn every Buddhist temple. In one corner of the
space destined for the accommodation of the faithful was a low
writing-desk, at which sat, or rather squatted, a lay clerk, armed
with a huge pair of horn spectacles, through which he glared,
goblin-like, at the people, as they came to have their names and the
amount of their offerings to the temple registered. These latter must
have been small things, for the congregation seemed poor enough. It
was principally composed of old women, nuns with bald shiny pates and
grotesque faces, a few petty tradesmen, and half-a-dozen chubby
children, perfect little models of decorum and devoutness. One lady
there was, indeed, who seemed a little better to do in the world than
the rest; she was nicely dressed, and attended by a female servant;
she came in with a certain little consequential rustle, and displayed
some coquetry, and a very pretty bare foot, as she took her place,
and, pulling out a dandy little pipe and tobacco-pouch, began to
smoke. Fire-boxes and spittoons, I should mention, were freely handed
about; so that half-an-hour which passed before the sermon began was
agreeably spent. In the meanwhile, mass was being celebrated in the
main hall of the temple, and the monotonous nasal drone of the plain
chant was faintly heard in the distance. So soon as this was over, the
lay clerk sat himself down by the hanging drum, and, to its
accompaniment, began intoning the prayer, "Na Mu Miyô Hô Ren Go Kiyô,"
the congregation fervently joining in unison with him. These words,
repeated over and over again, are the distinctive prayer of the
Buddhist sect of Nichiren, to which the temple Chô-ô-ji is dedicated.
They are approximations to Sanscrit sounds, and have no meaning in
Japanese, nor do the worshippers in using them know their precise
value.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account