Folklore -- Japan; Japan -- Social life and customs
When a man is appointed to act as second to another, what shall be
said of him if he accepts the office with a smiling face? Yet must he
not put on a face of distress. It is as well to attempt to excuse
oneself from performing the duty. There is no heroism in cutting a
man's head off well, and it is a disgrace to do it in a bungling
manner; yet must not a man allege lack of skill as a pretext for
evading the office, for it is an unworthy thing that a Samurai should
want the skill required to behead a man. If there are any that
advocate employing young men as seconds, it should rather be said that
their hands are inexpert. To play the coward and yield up the office
to another man is out of the question. When a man is called upon to
perform the office, he should express his readiness to use his sword
(the dirk may be employed, but the sword is the proper weapon). As
regards the sword, the second should borrow that of the principal: if
there is any objection to this, he should receive a sword from his
lord; he should not use his own sword. When the assistant seconds have
been appointed, the three should take counsel together about the
details of the place of execution, when they have been carefully
instructed by their superiors in all the ceremonies; and having made
careful inquiry, should there be anything wrong, they should appeal to
their superiors for instruction. The seconds wear their dresses of
ceremony when the criminal is a man given in charge by the Government:
when he is one of their own clan, they need only wear the trousers of
the Samurai. In old days it is said that they were dressed in the
same way as the principal; and some authorities assert that at the
_hara-kiri_ of a nobleman of high rank the seconds should wear white
clothes, and that the handle of the sword should be wrapped in white
silk. If the execution takes place in the house, they should partially
tuck up their trousers; if in the garden, they should tuck them up
entirely.
Public-domain text, read in full here on John Shaqi.
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