Folklore -- Japan; Japan -- Social life and customs
A further delay then ensued, after which we were invited to follow the
Japanese witnesses into the _hondo_ or main hall of the temple, where
the ceremony was to be performed. It was an imposing scene. A large
hall with a high roof supported by dark pillars of wood. From the
ceiling hung a profusion of those huge gilt lamps and ornaments
peculiar to Buddhist temples. In front of the high altar, where the
floor, covered with beautiful white mats, is raised some three or four
inches from the ground, was laid a rug of scarlet felt. Tall candles
placed at regular intervals gave out a dim mysterious light, just
sufficient to let all the proceedings be seen. The seven Japanese took
their places on the left of the raised floor, the seven foreigners on
the right. No other person was present.
After an interval of a few minutes of anxious suspense, Taki
Zenzaburô, a stalwart man, thirty-two years of age, with a noble air,
walked into the hall attired in his dress of ceremony, with the
peculiar hempen-cloth wings which are worn on great occasions. He was
accompanied by a _kaishaku_ and three officers, who wore the
_jimbaori_ or war surcoat with gold-tissue facings. The word
_kaishaku_, it should be observed, is one to which our word
_executioner_ is no equivalent term. The office is that of a
gentleman: in many cases it is performed by a kinsman or friend of the
condemned, and the relation between them is rather that of principal
and second than that of victim and executioner. In this instance the
_kaishaku_ was a pupil of Taki Zenzaburô, and was selected by the
friends of the latter from among their own number for his skill in
swordsmanship.
With the _kaishaku_ on his left hand, Taki Zenzaburô advanced slowly
towards the Japanese witnesses, and the two bowed before them, then
drawing near to the foreigners they saluted us in the same way,
perhaps even with more deference: in each case the salutation was
ceremoniously returned. Slowly, and with great dignity, the condemned
man mounted on to the raised floor, prostrated himself before the high
altar twice, and seated[112] himself on the felt carpet with his back
to the high altar, the _kaishaku_ crouching on his left-hand side. One
of the three attendant officers then came forward, bearing a stand of
the kind used in temples for offerings, on which, wrapped in paper,
lay the _wakizashi_, the short sword or dirk of the Japanese, nine
inches and a half in length, with a point and an edge as sharp as a
razor's. This he handed, prostrating himself, to the condemned man,
who received it reverently, raising it to his head with both hands,
and placed it in front of himself.
[Footnote 112: Seated himself--that is, in the Japanese fashion, his
knees and toes touching the ground, and his body resting on his heels.
In this position, which is one of respect, he remained until his
death.]
Public-domain text, read in full here on John Shaqi.
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