Folklore -- Japan; Japan -- Social life and customs
The ceremony, to which the place and the hour gave an additional
solemnity, was characterized throughout by that extreme dignity and
punctiliousness which are the distinctive marks of the proceedings of
Japanese gentlemen of rank; and it is important to note this fact,
because it carries with it the conviction that the dead man was indeed
the officer who had committed the crime, and no substitute. While
profoundly impressed by the terrible scene it was impossible at the
same time not to be filled with admiration of the firm and manly
bearing of the sufferer, and of the nerve with which the _kaishaku_
performed his last duty to his master. Nothing could more strongly
show the force of education. The Samurai, or gentleman of the military
class, from his earliest years learns to look upon the _hara-kiri_ as
a ceremony in which some day he may be called upon to play a part as
principal or second. In old-fashioned families, which hold to the
traditions of ancient chivalry, the child is instructed in the rite
and familiarized with the idea as an honourable expiation of crime or
blotting out of disgrace. If the hour comes, he is prepared for it,
and gravely faces an ordeal which early training has robbed of half
its horrors. In what other country in the world does a man learn that
the last tribute of affection which he may have to pay to his best
friend may be to act as his executioner?
Since I wrote the above, we have heard that, before his entry into the
fatal hall, Taki Zenzaburô called round him all those of his own clan
who were present, many of whom had carried out his order to fire, and,
addressing them in a short speech, acknowledged the heinousness of his
crime and the justice of his sentence, and warned them solemnly to
avoid any repetition of attacks upon foreigners. They were also
addressed by the officers of the Mikado, who urged them to bear no
ill-will against us on account of the fate of their fellow-clansman.
They declared that they entertained no such feeling.
Public-domain text, read in full here on John Shaqi.
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