Stooping with these words he raised her insensible form as easily as
if she had been a child, poised her for an instant above his head, and
then, with an awful imprecation, he hurled her from him. Her delicate
form bounded from rock to rock, and the chorus of a thousand voices
seemed to shake the very earth in a fierce exultant cry. Then the tomb
closed. A darkness as of death fell, and a strange silence followed.
For a few minutes the count stood like a statue, a pale blue lambent
flame playing about him, until suddenly he turned, the light faded, he
drew his cloak about him, and went forth into the darkness, and was
seen no more.
From that day the inhabitants of Wolfspring fled in horror from the
accursed spot, and the castle gradually crumbled into ruins. Nothing
now remains but a heap of grass-grown stones, where in summer time
the forest adder glides. The peasant passes the place with a shudder;
and around the wood fires on a winter night the humble forest folk
will recall the story, current for generations, of the Fair Maid of
Wolfspring and the Mysterious Count.
VII
THE WHITE RAVEN
THE STORY AS TOLD BY LYDIA STAINSBY.
It was generally said of my father--who was a son of the late Sir John
Mark Stainsby--that he was somewhat of an oddity. He certainly had
original ideas, and it was a favourite remark of his that he did not
care to baa, because the great family of human sheep baaed in chorus.
It was due, no doubt, to this faculty of originality that he became
the owner of Moorland Grange, which was situated on the edge of wild
Dartmoor. My father was a widower; I was his only daughter, but I had
four brothers, and I doubt if any girl’s brothers were more devoted to
her than mine were to me. We were a very united family, and had for
many years resided in London, and as my father had ample means we found
life very enjoyable. I was considered to be an exceedingly fortunate
young woman. My friends all too flatteringly told me I was beautiful,
and I know that when I looked into my mirror the reflection that met
my gaze was certainly not one to make me shudder. Of course this was
vanity, but then that is a woman’s especial privilege, and so I don’t
intend to make any apology for the remark, for I am quite sure that I
never was a plain-looking girl.
When my father purchased Moorland Grange I was just turned twenty years
of age, and was looking forward with eager pleasure--what girl does
not?--to my marriage with one of the dearest and most devoted of men.
His name was Herbert Wilton. By profession he was a civil engineer,
and for some time he had been in the Brazils, surveying for a new line
of railroad which an English company had undertaken to construct.
Herbert’s engagement had nearly expired, and we were to be married on
the New Year’s Day following his return.
My father had some relatives in Devonshire; he was exceedingly fond of
that part of the country. And on one occasion, after having been on a
visit there, he said:
Public-domain text, read in full here on John Shaqi.
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