Among the villagers, although she was no longer shunned as formerly,
her story was not forgotten. If it had been, her strange beauty, her
sorrow-stamped face, the flashing of her eyes, her majestic stature
and solemn movements, would have recalled it to their recollections.
She was a marked being, and all believed (though each would have
pitied her, had they not been afraid) that her evil destiny was not to
be averted. They declared that she looked like one fated to do some
dreadful deed. They saw she was not one of them, and though they did
not directly avoid her, yet they never threw themselves in her way,
and thus the hapless Ruth had ample leisure to contemplate and grieve
over her fate. One night she sat alone in her little hovel, and, with
many bitter ruminations, was watching the happy sleep of her child,
who slumbered tranquilly on their only bed. Midnight had long passed,
yet Ruth was not disposed to rest. She trimmed her dull light, and
said mentally, ‘Were I not poor such a temptation might not assail
me, riches would procure me deference; but poverty, or the wrongs it
brings, may drive me to this evil. Were I above want it would be less
likely to be. Oh, my child, for your sake would I avoid this doom more
than for mine own, for if it should bring death to me, what will it not
bring to you?--infamy, agony, scorn.’
She wept aloud as she spoke, and scarcely seemed to notice the
singularity (at that late hour) of someone without attempting to open
the door. She heard, but the circumstance made little impression. She
knew that as yet her doom was unfulfilled, and that, therefore, no
danger could reach her. She was no coward at any time, but now despair
had made her brave. She flung the door open, a stranger entered,
without either alarming or disturbing her, and it was not till he had
stood face to face with Ruth, and she discovered his features to be
those of William Morgan, that she sprung up from her seat and gazed
wildly and earnestly upon him. He gave her no time to question.
Public-domain text, read in full here on John Shaqi.
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