On entering, he found himself in a cottage of a more respectable
interior than from its outward appearance he had been led to expect;
but he had little leisure or inclination for the survey of its effects,
for his senses and imagination were immediately and entirely occupied
by the scene which presented itself on his entrance. In the centre
of the room into which he had been so readily admitted stood, on its
trestles, an open coffin; lights were at its head and foot, and on each
side sat many persons of both sexes, who appeared to be engaged in the
customary ceremony of watching the corpse previous to its interment
in the morning. There were many who appeared to the stranger to be
watchers, but there were but two who, in his eye, bore the appearance
of mourners, and they had faces of grief which spoke too plainly of the
anguish that was reigning within. At the foot of the coffin was a pale
youth just blooming into manhood, who covered his eyes with trembling
fingers that ill-concealed the tears which trickled down his wan
cheeks; the other--but why should we again describe that still unbowed
and lofty form? The awful marble brow upon which the stranger gazed was
that of Ruth Tudor.
There was much whispering and quiet talk among the people while
refreshments were handed to them; and so little curiosity was excited
by the appearance of the traveller that he naturally concluded that it
must be no common loss that could deaden a feeling usually so intense
in the bosoms of Welsh peasants. He was even checked from an attempt to
question; but one man--he who had given him admittance, and seemed to
possess authority in the circle--informed the traveller that he would
answer his questions when the guests should depart, but till then he
must keep silence. The traveller endeavoured to obey, and sat down in
quiet contemplation of the figure who most interested his attention,
and who sat at the coffin’s head. Ruth Tudor spoke nothing, nor did
she appear to heed aught of the business that was passing around her.
Absorbed by reflection, her eyes were generally cast to the ground; but
when they were raised, the traveller looked in vain for that expression
of grief which had struck him so forcibly on his entrance; there was
something wonderfully strange in the character of her perfect features.
Could he have found words for his thoughts, and might have been
permitted the expression, he would have called it triumphant despair,
so deeply agonised, so proudly stern, looked the mourner who sat by the
dead.
Public-domain text, read in full here on John Shaqi.
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